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Feb
24
Pat Sloan offers new free BOM
Filed Under Blanket stitch, Designers, Fusible web, Machine appliqué, Patterns, Threads | 3 Comments
The ever-zany daily blogger Pat Sloan has started a new, free BOM. Check it out at Pat Sloan’s Corner. A very cute block and great closeup photography of her fusible appliqué and thread choice.
Until next time,
Kay
By Kay Mackenzie
Feb
10
Superior report
Filed Under Blanket stitch, Hand appliqué, Machine appliqué, Product demo, Threads | 8 Comments
Yesterday I had the chance to try out the Superior windfall.
This is an old block originally called Wandering Foot. That name was thought to bring on the wandering foot to youths who slept under it, so a new name was given to it… Turkey Tracks. Much more attractive, don’t you think? 
It’s also called Iris Leaf when it’s green on white.
Fused and unstitched.
After some investigation on the Superior website, I discovered that the Holy SuperBobs are Bottom Line, a line of thread developed by Libby Lehman. It’s 60-weight polyester. I perused the rainbow and picked out the color that matched the best.
Wow, you can hardly make it out! It really is whisper-fine.
I fired up my Bernina and adjusted the blanket stitch down a few ticks, reasoning that a very fine thread should be given a pretty small stitch. A few minutes later, and voila! The block was stitched, and looked great! My machine liked the thread, which I used in both the top and the bottom, and Mother Superior says it’s not linty like cotton.
How’s that for blending in? From a short distance you can’t see the stitching at all. This thread might be a nice choice when you really want to mimic hand appliqué while still using your machine, or when using the turned-edge blind-hem stitch method of machine appliqué (which BTW I am not adept at).
One thing I did note is that the edges of the appliqués feel a little “crispy” compared to when I use cotton thread.
On to MasterPiece. MasterPiece thread is 2-ply 50-weight cotton, favored by the Piece o’ Cake gals and by Alex Anderson.
A simple forget-me-not.
Fused and unstitched.
My choices from the rainbow.
I adjusted the blanket stitch to my usual setting, just a couple ticks down in width and length. Away I went!
I like it, my machine likes it. I wound a bobbin for the green, but for the dabs of yellow and blue I used bobbins I already had wound with DMC. Worked great! They really are equivalent in weight so that’s a plus for me that I can mix and match at this stage of evolution in my thread stash.
Now on to hand appliqué. I just happened to have a block in the queue that I needed to stitch up twice, to use as an example in the new book I’m working on for Martingale.
Here are the threads I chose.
Poly on the left and cotton on the right.
I started with the polyester first. I was really excited about trying out this thread for hand appliqué. In the past, when I’ve tried other brands of poly thread, it went around in circles, kinked up, and raveled at the end. I’m delighted to report that Bottom Line stays straight. It sinks right into the turned edge of the appliqué and hides itself really well, and I was not plagued with knots or kinks. Yay! The one thing I did notice is that since it’s more slippery than cotton thread, my thread tail kept shortening up on me and I lost the thread out of the needle a couple times. I guess this just takes getting used to coming from the fabric of our lives.
I was on a roll watching the chocolate challenges on Food Network, so I plunged on ahead to the second version, using MasterPiece cotton. Excellent on all counts.
Can you tell the difference in the completed piece? Neither can I, so I’ve been keeping sticky notes on them .
These pink dogwood blocks may seem kinda pale, and that’s on purpose. I’m going to embroider around the edges of one of them to illustrate how you can better define the edges of your appliqués when you want to use low-contrast fabrics.
Well, thanks guys! I got a lot done yesterday!
Chime in! I’d like to hear from others who use Bottom Line or MasterPiece. How do you use it, why do you like it?
Until next time,
Kay
By Kay Mackenzie
Jan
27
Superior windfall
Filed Under Designers, Threads | 7 Comments
At the Road to California show earlier this month, I was directly across the aisle from the Superior Threads booth. What a fantastic location!
I was on the lookout for The Thread Guy and Mother Superior, aka Bob and Heather Purcell. I was sure I would recognize them from their appearances on The Quilt Show.
When the opportunity presented itself, I approached Bob and said, “Mr. Bob Purcell?”
He looked at me with a little bit of that “deer in the headlights” look (like is this someone I’ve met and I can’t remember her?) but I quickly explained how his fame as The Thread Guy had preceded him. I told him about what an appliqué enthusiast I am (gesturing toward my booth as evidence) and that I had been using DMC 50-weight 2-ply cotton for years. I asked him whether Superior’s MasterPiece would be like an equivalent.
The answer was yes, and it’s long-staple Egyptian-grown cotton, which makes it, well, superior! I told him of my appliqué blog and how I liked to supply information to other appliqué enthusiasts, and he generously presented me with a fantastic goody! A rainbow of MasterPiece threads in a collection of prewound bobbins! Yippee! A little bit of 36 colors!
Later in the show, Heather came over and said, “I know you like Bob better.”
“Well,” I replied, “he gave me thread.”
“But I want you to try this,” she said, and handed me a rainbow of polyester threads in a collection of prewound bobbins. Wow!
“Now I know that you’ve only used cotton,” she went on. “But just try this poly thread and you will never go back. And then, you will like me better.”
Cotton on the left and poly on the right. The “Frosted” part of the cotton name came about because Superior did a collection of threads for the Piece o’ Cake gals, and donut, kinda self-explanatory. I can only conjecture about how they came up with Holy SuperBobs.
What a thread windfall for an appliquér. All those luscious colors at my fingertips… I can’t wait to try out each kind, for hand and machine appliqué, and file a report!
The cotton MasterPiece thread feels and looks very comparable to the DMC. The poly thread is even finer than the two cottons.
The Purcells are super-nice, down-to-earth people. I like ‘em both. They care passionately about their product and they are very tuned-in to the needs and wants of the quilter. Just check the Education tab of the Superior website for gobs of information about the world of thread.
I also met quilter, designer, author, and sweetheart Cindy Needham, who was hanging out in the Superior booth helping shoppers with their questions about thread. I think I persuaded her to go a guest post for us about appliqué and her fabulous work with wholecloth linen quilts. Stay tuned!
More later,
Kay
By Kay Mackenzie
Mar
13
Hand embroidery tutorial at Bunny Tales
Filed Under Designers, Embellishment, Needles, Patterns, Photo tutorial, Product demo, Stems/vines, Threads | 1 Comment
Sometimes I do a little hand embroidery on my appliqué blocks when some really fine details are needed, like whiskers or tendrils. It’s not truly a part of my skill set, and I just kinda sorta go for it.
I was so grateful when Anne Sutton of Bunny Hill put up Embroidery 101 Part One and Part Two on her Bunny Tales blog. I had had a block stuck up on my wall for awhile, waiting for some embroidery that I was putting off. Anne’s post inspired me to get to work on it… my stem stitch is now so much improved!
Appliqué patterns can often be used as embroidery patterns as well, so go read Anne’s fantastic primer and then you’ll have a whole new use for them!
Until next time,
Kay
Quilt Puppy Publications & Designs
Feb
26
Wool appliqué tutorial
Filed Under Blanket stitch, Freezer paper on top, Photo tutorial, Threads, Wool | Leave a Comment
There’s a new photo tutorial on the Cottons n’ Wool blog about how the author, Anne, works with wool for appliqué. She takes you through it step-by-step, with lots of great photos. Thanks Anne!
Until next time,
Kay
Quilt Puppy Publications & Designs
Jan
25
A journey to a book ~ Part 14
Filed Under A journey to a book, Fusible web, Needles, Threads | 2 Comments
Being the fourteenth in a series of posts about a book proposal, from concept to print.
Click on the category ‘A journey to a book’ in the left sidebar to bring up all of the posts in the series.
My tech editor Robin had suggested a few photos to go with the introductory material about fabrics, tools, and notions. Great! She asked me what I would include and I send her my preferred list. They didn’t have everything in-house so I promised to send some spools of my favorite thread and a pair of my favorite scissors.
Hmmm… my scissors have puppy teeth marks in them and the only unstarted spools of thread I had were in dull uninteresting colors. I ordered a few pretty colors of thread on-line and had them sent directly to Robin to organize for the photographer. And, whilst at the E.E. Schenck warehouse party during Spring Market in Portland, I had thrown a new pair of scissors into my cart ‘just in case,’ so I dispatched those to Robin as well.
Stay tuned!
Kay
Quilt Puppy Publications & Designs
P.S. My favorite tools and notions for hand and machine appliqué aren’t mentioned in the book, so I’ve created an information sheet.
Click to download a pdf copy.
Until next time,
Kay
Quilt Puppy Publications & Designs
Aug
29
Back-basting hand appliqué
Filed Under Back-basting (no-template), Hand appliqué, Needles, Photo tutorial, Threads, Turned edge | 14 Comments
How about a method of appliqué that gives super-accurate results, yet uses no glue, no starch, no freezer paper, no fusible web, no fusible interfacing, no vinyl or tracing paper. Just fabric, needle and thread, scissors, and a marking implement. Pretty cool, huh?
I promised awhile ago that I would write more about the back-basting, aka no-template preparation for hand appliqué. It’s really quite ingenious and is now my favorite way to work by hand. As I was stitching a Heart in Hand block today I took some pictures along the way to show how it works.
Use a reversed pattern for this method. Start by marking the reversed pattern on the back of the background fabric. I use the blue water-erasable pen. You can also use a marking pencil.
Rough-cut a hunk of the appliqué fabric that’s bigger than what you’ll need. Lay it in place on the front.
Pin the fabrics together. On the back, baste the two fabrics together with a small running stitch, exactly on the drawn line. Use a thick or fuzzy thread for this and a big honking needle. I use a size 7 cotton darner.
Baste all the way around the shape. This is what it looks like on the front.
Now trim the fabric to the shape of the motif, leaving your preferred turn-under margin outside the basting.
Clip and remove a section of basting stitches. In this freed-up area, start turning and stitching. Keep clipping and removing the basting a few stitches ahead of your appliqué. The thick needle and heavy basting thread leave behind temporary perforations that help the fabric turn along the stitching line. I use a size 10 milliner needle and DMC 50-weight cotton machine embroidery thread for appliqué,
Continue all the way around. Don’t press the block yet.
Hmm, not bad. A benefit of this method is that you can flip the block over to see how you’re doing. The marking serves as a built-in stitching guide!
Repeat the same process for the heart.
Once the block is completed, remove the markings from the back. I dip a Q-tip in water and stroke it along the lines. Let the block air-dry and check to make sure none of the blue has reappeared. (If so, just wet it again.)
After all the marks are gone and the block has air-dried, give it a quick press. All done!
I have really come to love this method, since it gets me on the sofa stitching a lot quicker instead of fiddling around with freezer paper templates at the ironing board. I hope you enjoy it too. Like anything new, it takes practice, so give it a whirl and then another. If you’re stalling because you don’t have the right needle or the perfect thread, well then there’s a kit available over at Quilt Puppy that has pattern, instructions, fabrics, both needles, and both threads all in it, to give you a jump start on becoming introduced to the method.
Until next time,
Kay
Quilt Puppy Publications & Designs
Jul
10
Joanna’s Appliqué Today
Filed Under Hand appliqué, Needleturn, Photo tutorial, Threads | Leave a Comment
I discovered a very colorful, joyful blog by a young woman named Joanna. She has put up a couple of outstanding tutorials on needleturn appliqué, the first on prep and the second on the stitching.
Joanna marks differently than I do, handles points and notches just a touch differently, and uses glue to stick things down, whereas I’m a baster. Vive la différence! There’s no one right way. Appliquérs find the methods that work for them.
Thanks, Joanna, for your effervescent Appliqué Today.
Until next time,
Kay
Quilt Puppy Publications & Designs
Feb
21
Sheer fabric elegance
Filed Under Designers, Embellishment, Fabrics, Guest posts, Threads | Leave a Comment
Syliva Landman Rassmussen has been working a lot with all those gorgeous, unusual fabrics and trims that we love, but our pocketbooks cannot always afford. If these luxuriant, spendy fabrics are calling to you, Sylvia has devised a solution with her SheerFabric Elegance kits. Here’s what she has to say about them:
“Do you enjoy the current fashion in embellishing clothing, quilts, and appliqué? My theory is that too much is…well, just wonderful! SheerFabric Elegance Kits make it easy and economical for you to create gorgeous, elaborately embellished designs on wearables, quilts, and needle work.
Hard-to-find sheer fabrics such as silk organza, tulle, lamé, laces, brocades, re-embroidered sheers studded with sequins, flower petals, leaves, shiny rayon floss, fords, threads, and woven trims are color-coordinated and packaged in small amounts. Avoid having to buy whole or half yards of these precious fibers in the few colors available in shops!
SheerFabric Elegance kits are being offered at $25 or 2/$45, including postage, at a special introductory price, until March 1, when they will sell for $30 or 2/$55. See Sylvia’s Web site Order Form for details and to place your order at www.Sylvias-Studio.com.”
Hurry to Sylvia’s website to take advantage of the introductory special!
Until next time,
Kay
Quilt Puppy Publications & Designs
Feb
17
Fun with thread color
Filed Under Articles, Blanket stitch, Color, Designers, Guest posts, Machine appliqué, Raw edge, Threads | Leave a Comment
Here’s a fabulous guest post by Diane Dixon of Metro Quiltworks about how your choice of thread can work a little magic on the look of your machine appliqué. Thank you, Diane, for this wonderful article!
Let’s Have Some Fun with Thread Color!
Thoughts about thread choices by Diane Dixon of Metro Quiltworks
The color of thread can be a very important feature for you to consider with your next appliqué project. The way the thread color interacts with the fabric can make the stitching either stand out in a bold contrast, or it can create subtle outlining of the appliqué piece without much contrast at all.
Some basic points to consider:
Matching thread color to fabric color:
Do you want the thread color to match the color of the fabric? This will create a subtle look that blends well with the appliqué pieces and may emphasize the overall look of the project since the thread color blends much more into the background.
Here’s an example of a lily flower having the thread in the same color family as the fabric. By using the blue thread in the center, the flower is more formal and contained. Notice the use of yellow thread on the yellow petals. Although both fabric and thread are in the same color family, there is still a subtle contrast because the fabric is lighter in some places than in others. Subtle, but not dull! Also, the lily pads are sewn with green or brown stitches to keep the pieces from getting too “busy” since the batiks used here are quite wild.
Contrasting thread color to fabric color:
Do you want the thread color to contrast with color of the fabric? Using contrast can create a wonderful visual look that can define edges and give excitement to individual appliqué pieces.
Here is an example of two pears on a plate. The purple stitching in different shades really defines the green pear from the green plate. Notice the yellow stitching on the green leaf, the outside plate stitching, and the effective purple on the stem as well.
In the close-up of the red floral appliqué example, there’s a combination of techniques to make this flower sing! Notice the center has a bright red center that uses the same thread color on both the center, and on the interior petals. By using the same thread color on different fabrics, another subtlety comes out. The bright blue stitching on the outside petals, and the red on the green leaf brings all of the colors to another level!
I sometimes enjoy using this technique specifically with smaller projects such as miniature wall hangings, pillows, or table runners because the thread choices really stand out in a more intimate piece – but that doesn’t mean you shouldn’t try this out with larger pieces as well!
Thread colors play important roles and can change the look of any project. Don’t be afraid to go for it and have lots of fun!
Diane Dixon
Kay here again — be sure to visit Diane’s website to check out her colorful contemporary patterns for quilts, table runners, and wall hangings at Metro Quiltworks – A fresh look at quilt design. Thanks again Diane! I’ve been a “matcher” so far but now I’m inspired to try mixing it up!
Until next time,
Kay
Quilt Puppy Publications & Designs
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