I met the magazine’s editors while I was in Salt Lake City last May for Spring Market, and we’ve been working on getting a design of mine into the magazine ever since. It’s finally here!

This was made entirely out of one line of fabric, Memories of Provence by Monique Dillard for Maywood Studio. The fabric line was a pleasure to work with and gave me every single thing I needed to make the quilt. It’s hand appliquéd and machine quilted.

Back soon with our featured book for February!

Until then,
Kay
By Kay Mackenzie

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Today I’m writing about my entry in Volume 4 of 100 Blocks, a very special collector’s edition of Quiltmaker magazine that hit the newsstands this week.

I’m on the cover again! That’s my block Heartlets with the pink plaid hearts. How very fun.

This is part of a fantastic blog hop that takes you on a trip through cyberspace to find out more about the designers and what inspired them to create their blocks.

Since it’s me we’re talkin’ about, of course my block was going to be applique. I love hearts, and decided to grow some on a sort-of heart-shaped vine. I stitched it up by machine using raw-edge fusible appliqué and sent it in.

Here it is, months later, Block #312!

The designers who contributed blocks were also invited to send in projects showing the block in a different way. When I looked at Heartlets I thought it would be very cute done up in Christmas colors, so I made this little wall quilt for the holidays. I’m happy to say that it made it into the projects sections of the magazine, and is now hanging in the Quiltmaker offices in Golden, Colorado!

The 100 Blocks magazine includes a pull-out section of full-size templates so no worries about blowing up patterns. I already received my advance copy, and let me tell you, each block is more spectacular than the last, whether appliquéd, pieced, foundation-pieced, or mixed-technique. This truly is a treasure trove… you’ll want to save it for your future use again and again.

Today is the last day of the tour, but if you haven’t already done so, be sure to visit Quilty Pleasures, because there are prize drawings still going on.

I happen to have a couple prizes of my own! I have a copy of the magazine to give away, and I’m also going to draw another winner, who will receive my book Dolls and Dresses to Appliqué.

So leave a comment before 7:00 p.m. California time on Monday, November 14, to enter the drawings! U.S. and Canada addresses only. Thanks for visiting, come again soon!

Cheers,
Kay
By Kay Mackenzie

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The tour lasts all week, with visits to designers who contributed a block to this issue. Be sure to follow the tour all week, because there will be lots of goodies and prize-winning possibilities. Start each day at the 100 Blocks blog.

My day on the tour is this Friday, November 11. I’ll show you my block and tell you a little bit about it, and I’ll have my drawing for a couple of prizes!

Hey, here’s an extra special treat. My buddy Sarah Vee has a block on the cover too. In fact, it’s right next to mine, how cool is that! Sarah has created a special coupon just for my readers. It’s valid at her Etsy store: SewJoy Creations, and will give you 50% off Sarah’s e-patterns! The coupon kicks in today, Nov. 7, and ends Nov. 13th.

The coupon code is: 100blockskay

Wow, I never had a coupon named after me before. I’m honored.

See you back here on Friday!
Kay

By Kay Mackenzie

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Debbie also reports that the wash-away product she referred to are Wash-Away Appliqué Sheets from C&T Publishing.

The website says that this product was inspired by Beth Ferrier. Now I happen to know that Beth uses a turned-edge machine appliqué method, not raw-edge. Just want to make sure we’re talking about apples and apples here, not apples and oranges. Here’s a portion of the product review from The Applique Society: “… When your project is finished you have the option of washing the sheet for a softer feeling piece or leaving it in and it will soften over time.”

I think this product is similar to the Appliqué Stabilizer that Sharon Schamber uses. Again, it’s meant for turned-edge appliqué. It remains in your quilt, and even though the stiffy part washes away, it leaves soft fibers behind.

Floriani has a similar thing too, called Stitch n Wash.

And Ricky Tims has one called Stable Stuff.

Whew!

In other news:

____________________________

Over the weekend, at Pacific International Quilt Festival, I picked up a flier from Amidon Quiltworks, home of the amazing Pearl P. Pereira of P3 Designs. The flier features a couple of exciting events coming up for appliqué enthusiasts.

The first is an Appliqué Weekend, May 31 through June 3, 2012. More details on the Special Events tab on their website.

The second is a Hawaiian Cruise in 2013, complete with appliqué classes on-board! They don’t have the dates set yet, but you can contact the shop for more information.

____________________________

I just posted a couple of amazing projects over on my Show & Tell Center. You’re cordially invited to go and see the beautiful teapots and baskets that quilters have been sharing with me.

And, I just heard from Janis Rink that the teapot quilt she made won a Blue ribbon over the weekend at the Empire QuiltFest in upstate New York! How very thrilling! You go Janis!

____________________________

Volume 4 of Quiltmaker’s 100 Blocks is coming out very soon! I’m happy to say that I have a block in this one too, and I think I spy with my little eye that it made the cover this time too! I’ll be participating in the blog tour that takes place November 7-11. My day to post is the last day, but I’ll remind you to go and join in the tour on Day 1, so you won’t miss out on all the fun and prize possibilties!

Until next time,
Kay
By Kay Mackenzie

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The Spring 2011 edition of the International Quilt Association’s
IQA Journal is now on line.

It has some absolutely gorgeous appliqué quilts in it, and the stories behind them. Be sure to go and flip through the pages electronically!

www.quilt.org/journal

I’m off to Long Beach in a couple days, so see you in August!

Until next time,
Kay
By Kay Mackenzie

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Called Primitive Quilts and Projects, this magazine is going to feature at least 15 projects each issue from leading designers across the nation. They’ve already got such luminaries as Jan Patek, Janet Nesbitt, Kathy Schmitz, Cherie Ralston, and many more lined up!

Go see the gorgeous appliqué quilt on the cover of the first issue at www.primitivequiltsandprojects.com.

Until next time,
Kay
By Kay Mackenzie

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I wanted to let you know that I just added a couple of items to my website. First off, if you haven’t had a chance to get Quiltmaker’s 100 Blocks, Volume 3, I have it available now on my Patterns page.

And, I’ve created special intro packs of SoftFuse paper-backed fusible web, so that you can try out the product. This is my favorite kind of fusible web for raw-edge fused machine appliqué. The intro packs are on the Kits & Notions page.

Which leads me back to the recent Call for Topics, in which Paulette C. asked:

“I would like to see a review of the different fusibles available for appliqué. On the blogs many quilters have given reasons why they have their favorites. But a real time review of the 3 major brands with pros and cons and photo examples would be interesting.”

In the November 2010 issue of American Quilter, fuser extraordinaire Frieda Anderson presented an article called Choosing and Using Fusible Web. If you can get your hands on this issue, you will find a comprehensive comparison of 11 different types of fusibles in varying weights.

Frieda does share on her blog, in this post called Fusing that her favorite is Wonder Under regular weight. Be sure to go read her post, and while you’re there on her blog, type “fusible” or some variant into the search box and you will come up a bunch of other good information. Note: I believe that Frieda, like other members of the Chicago School of Fusing, pre-fuses large pieces of fabric, whereas I use fusible web to make templates for individual shapes.

A few years ago I embarked on a whole determined expedition to try out every kind of paper-backed fusible I could get my hands on. I tried them all. Some of the reasons I was not satisfied included the following:

• Too thick, like gauze
• Didn’t work as advertised (supposed to stick without fusing, didn’t)
• Too many types within brand, some on a bolt, some in a package, similar names, way confusing
• Separated from the backing paper before I had a chance to use it

I finally zeroed in on Wonder Under #805, regular weight. It became my go-to fusible web. Back in 2009 I wrote a blog post giving my tips for fusible web management.

Continuing my fusible web saga, at some point after that I started having trouble with the Wonder Under. After I fused it onto the back of my appliqué fabrics, the backing paper would not come off. I had to wait until the following day to peel the paper off and continue with my project.

At a quilt show, I bought a pack of SoftFuse from the Shades Textiles booth. What a relief! It’s very very lightweight, it doesn’t separate from the paper, it fuses to the fabric like lightning, and the paper comes off immediately! So that’s why it’s my current favorite. It acts the way this type of product is supposed to act! What a concept.

Here are some other articles that you may find of interest:

Hand Vs. Machine Appliqué: A Timed Experiment

Ink Jet Printable Fusible Web

Trying a New Fusible Web

Hope this helps!
Until next time,
Kay
By Kay Mackenzie

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One of the Schoolhouse sessions that I attended during Spring Market was a presentation by Tri-State Printing. Tri-State is a well know name in the quilting industry. I’ve never used them, but I’ve been aware of them for a long time. They are extremely knowledgeable about our industry and its printing needs, and they print for a ton of quilt designers. If you need a little or a lot of help with your printed materials, from pattern covers to brochures to self-published books, they would be a good company to contact.

I went to a fun presentation from the Quilted Frog! Aka Carla Scott and Leanne Smith, who just came out with a new book from AQS Publishing called Lady Bug & Friends Quilts.

The Quilted Frog gals have developed a distinctive, cartoony, and very fun style they call Easy Outline Appliqué™. You have to go to their website and see the quilts from the new book! They are so different looking, really fresh and appealing!

Over on their website they also have tutorials and videos, so be sure to poke around all the great resources they offer.

There’s more from Schoolhouse and Market. I’m trying to wrangle some guest posts, so stay tuned!

Whilst I was tramping around the aisles of Market, I stopped by the Creative Crafts Group booth. They’re the ones who publish Quiltmaker and the special 100 Blocks issues, among many other publications. I was tickled to see the cover of the recent 100 Blocks Volume 3 blown up to poster size. A staffer insisted on taking my picture, and she told me to point to my block. This cheesy maneuver caused me to slump down, which made me look like I gained back that 10 pounds I just lost, but oh well.

In case you ‘re interested in getting that special issue and haven’t found it yet, I have it available on my website now, on the Patterns page.

Until next time,
Kay
By Kay Mackenzie

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I’d like to take this opportunity to announce another exciting thing coming up. Hey guess what! I’m a cover girl!

This is Volume 3 of Quiltmaker Magazine’s special 100 Blocks issue, coming out May 10. Lookie! My name’s right there, on the cover! Could this mean… possibly… that I’ve arrived?

And, my block is on the cover too! Can you guess which one it is?

Quiltmaker is conducting a blog hop May 2-6, with bunches of participating designers and giveaway goodness each day. My day is May 5, but make sure you go on the whole tour for the maximum amount of fun.

Here’s a link to the 100 Blocks page over at Quiltmaker. That’ll get you to the links for the hop.

In other news, I’ll be at the Seven Sisters Quilt Show in San Luis Obispo, California, April 30-May 1. I’m really looking forward to this event. It’s at the Expo Center at the Madonna Inn, which is quite storied and is as pink as pink can be. And there are horses pastured where we vendors park our cars! That’s an added treat for me. Full info at aqgc.org.

Until next time,
Kay
By Kay Mackenzie

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The article gave a link to the magazine’s website to learn more about why so many red and green appliqué quilts were made in that era.

After reading this on-line sidebar, I thought the topic could also be phrased, “why so many of that era’s quilts were red and green.” Very interesting!!

Quilters Newsletter Magazine Web Extra

Until next time,
Kay
By Kay Mackenzie

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