Another fascinating thing I saw was a video at The Quilt Show by the Bernina educators. Apparently, some new Berninas have what’s called “hover mode.” Oooh, when you’re doing machine appliqué and you need to stop and pivot, if you set the machine on this mode, it’ll automatically raise the presser foot for you! What a concept! I may be the only quilter in the world who has a Bernina with a knee lever, who doesn’t use it. I could really get the wants for the hover mode.

Could’ve used it on this project, that’s for sure!

Until next time,
Kay
By Kay Mackenzie

The Quilt, Craft & Sewing Festival at the Arizona State Fairgrounds is next week. If you’re in that area, I hope to see you there!

Share This

Several of the projects that appear in my book A Merry Little Christmas to Appliqué are on loan to my pal Debby at the Quilter’s Faire in Palm Desert, California.

When a traveling quilt-show vendor specializing in Christmas expressed an interest in carrying the book, I thought I’d make another version of the project that’s the most popular one… Plum Pudding!

The original.

It was loads of fun rummaging for the fabrics, and also a little scary. It’s been awhile now since the book came out, but in the scrap bag I found a few leftover squares of the original fabrics used for the patched background! I also had enough of the red sashing and all three fabrics that were used for the puddings!

In my files, I even found the original pattern and tracing-paper overlay! Since the pattern is blown up 200%, this saved me a step. That’s why I keep stuff. You never know.

Once I’d pulled all the fabrics, I started thinking about the great expanse of white that makes up the ‘hard sauce’ part of the pattern. It would be covering a weensy bit of the brown, and also the patched background, and I didn’t want those to shadow through.

Usually, for machine appliqué I would use a double layer to create a light-over-dark motif by first fusing two layers of fabric together and then using that composed fabric to create the motif. This time, the area was so large, and I didn’t want the stiffness from the extra fusible. I thought I’d try something new.

I started out by making two motifs just the same, both with the inside of the fusible web cut out.

Back

Front

I removed the paper backing from both, placed one on top of the other on a nontick appliqué pressing sheet, and tacked them together with a hot iron.

If there are are inconsistencies in the two shapes, just use your scissors and trim them to match.

A little haircut needed here.

All trimmed and tidy.

Now the motif is double-layer and with no fusible web in the middle to make it stiff! Try it! It worked for me.

Stitched block.

Finished project: Plum Pudding 2

Until next time,
Kay
By Kay Mackenzie

Share This

Over at The Quilt Show, Sharon Pederson has been giving a series of lessons. There’s one on easy padded machine appliqué that’s really cool. You do not have to be a TQS member to watch the video.

Until next time, enjoy the show!
Kay
By Kay Mackenzie

Share This

For those of you who don’t know me, I’m Cheryl Almgren Taylor, a quilter and designer who specializes in fusible-web appliqué. In certain quilting circles, making this admission is like admitting you feed your kids hot dogs and goldfish crackers for dinner every night! However, I find this method to be very user-friendly and it enables me to create fabulous, intricate shapes with ease. It also incorporates thread as a design element which gives me the opportunity to add more color and texture.

I have a brand-new book just released by Martingale & Company / That Patchwork Place: Inspirational Applique: Reflections of Faith, Hope, & Love.

The book is a collection of scripture-inspired quilts, wallhangings, and small projects. I am a pastor’s wife and as a person of faith, I enjoyed being able to create tangible objects that express my beliefs through my quilting. That is one of my favorite things about quilting—our ability as quilters to convey our thoughts and beliefs through the medium of fabric and thread and color.

As I worked on the book, I felt a connection to the quilters of past generations who also used their quilting skills to express their beliefs and dreams. If you study the Baltimore Albums of the 19th century, most of those beautiful creations give us glimpses into the lives of their makers. Even the plainer, patchwork quilts from the past sometimes include tantalizing personal insights left by the quilter. And one of the common practices in historic quilts was to include a deliberate mistake to express their religious faith, the belief that nothing is perfect except God. I’ve never had to create a deliberate mistake in a quilt—I’m quite proficient at providing numerous mistakes without any extra effort, but I enjoy this tradition and the significance it held for the quilters who did this.

I am happy, though, that I have access to the wonderful world of quilting that we live in now, with rotary cutters and electric irons and fabulous computerized sewing machines. I own several sewing machines and like a man and his car, I am bonded with my machines.

As I mentioned before, my favorite technique is fusible-web appliqué. I always recommend using a lightweight fusible web and the “doughnut” method of construction, which has you cut out the center portion of the web from large pieces before fusing it to the back of your motif fabric. This makes the quilt soft and pliable rather than stiff, which is a common complaint about quilts made with fusible web. However, when using a lightweight fusible web, you must sew a finishing stitch around each unfinished edge in the appliqué design. I prefer a very small blanket stitch, but it is possible to use a satin stitch or zigzag—it just gives a slightly different look to the finished piece.

In creating the quilts for the book, I discovered a new technique that I think a lot of people would enjoy knowing about. One of the designs in the book, “Daily Bread,” features a neg done in gold and blue tones.

A neg is a bundle of wheat that is set out in wintertime in Scandinavian countries for the animals. Because the design featured a number of strands of wheat bundled together, there are a large number of overlapping wheat kernels to be appliquéd. All of them needed to be finished with a blanket stitch. If you are a fusible appliquér, you know that sometimes as you sew around overlapping pieces, you do not end up in the right spot for the next shape. Then you have to stop, trim your threads, move the fabric, and start over again. By accident, I discovered a traveling technique that makes it easy to move from piece to piece.

I discovered that after finishing the blanket stitch on a piece, I could change the machine setting from the blanket stitch to a straight stitch and travel to the next piece along the edge of the pattern pieces. (The pieces do have to be overlapping.) This can be done before or after using the blanket stitch on the design. If I traveled before finishing the edge, the blanket stitch laid over the top of the straight stitching and couldn’t be seen. If the blanket stitch was already sewn along the edge, the straight stitch went on top of the edge stitch and still couldn’t be seen. Of course, you must be using the same color of thread on the next piece, but for my overlapping wheat kernels, it was an outstanding technique.

I used traditional bias strips for the border vine in “Birds of the Air.”

But, in two other projects I used another trick — cutting fusible web-backed fabric pieces rather than creating bias strips for vines. For the tablecloth “I Am the Vine,” I traced the vine shapes onto fusible backing, fused the vines to the background, and finished the edges with a blanket stitch. It looks great and was much easier than fussing with bias strips.

I hope these tips will help you in your quilting journey and, for those of you who have never tried fusing, I hope you will become inspired to try this wonderful and easy technique!

Happy quilting!~Cheryl

Kay here — Thanks a million Cheryl for those two fabulous appliqué tips! The traveling straight stitch to another shape is something I been playing with myself. Thank you for legitimizing it!

Courtesy of the publisher, we have a copy of Inspirational Appliqué to give away to a reader. If you’d like to enter the drawing for the book, leave a comment by 7:00 p.m. California time on Sunday, November 5. U.S. and Canada addresses only, and remember to resist the temptation to hit “reply” to your email subscription. Instead, click over to the blog itself.

Until next time,
Kay
By Kay Mackenzie

Share This

On the last post, a few questions came up in the comments about fusibles.

Dolores wrote:

It might be quite interesting. I used (horrors) the Heat and Bond heavyweight and it really turned out stiff. It was the only one I had on hand but I would love to try others.

Dolores, the heavyweight (Ultra Hold) is not meant to be sewn through. It’s more for projects like fusing something onto a totebag.

Debbie wrote:

I use several types myself, it all depends on the type of projects that I am working on. I find some too stiff, but great for machine quilting and the lighter weight is hard to peel the backing. Then there is wash away, haven’t tried washing it yet, since I use that on wall projects.

Is the lighter weight with the hard-to-peel paper, by, chance, Wonder Under? I started having that problem with it myself. That’s why my current favorite is Shades SoftFuse. I’m sending some of that to Jen along with the Heat n Bond, to be included in her comparison.

Also, I’ve never heard of wash-away fusible web. Could you by chance be talking about some type of stabilizer or interfacing instead? What product are you talking about? Inquiring minds and so forth.

Marcia wrote:

Would you like to have the opinion of a newbie trying to work with them? If so, I could do that for you. I have my Rose of Sharon die from Accuquilt, but have not tried it. I would be happy to test the differences in these, using that die.

Marcia, I haven’t used any of the Accuquilt cutters, but just a word to the wise… my understanding is that you have to prefuse the fabric first, before running it through the cutter. If you cut the shapes first, there’s no way you can get the fusible on them! Also, prefusing means that you can’t cut out the center of the fusible.

My pal Kim Jamieson-Hirst loves her Accuquilt and has played with it a lot, so go check out her blog at Chatterbox Quilts Chitchat.

Angie wrote,

Would you believe I inherited a bolt of the Ultra Hold? It does leave a stiff applique piece, but if one cuts out just the outline of the template and uses only that for your applique piece it won’t be so stiff. I use a 90/14 needle when finishing and the blind hem stitch.

Angie, are you saying that you successfully sewed through the Ultra Hold? I tried it once and had to stop every few seconds to clean the gunk off the needle. Tell us more!

Suzanne wrote,

I am a new appliquer and so far have only done raw edge applique (cuz I’m intimidated by the sewn edge kind!), but I would love to try these. I used another brand that didn’t have a paper backing and ended up pressing the gluey side to my iron! Not smart, not fun. So I’m really taken with the idea of having a paper backing.

Suzanne, first of all, do not fear the appliqué! For the raw edge method that you used, I think you are talking about MistyFuse or something similar. You mention the gluey side… well, it’s all gluey! Myself I prefer having a paper backing. But lots of people happily use unsupported fusibles. The wonderful Sarah Vee has a MistyFuse tutorial posted on her blog. Go check it out!

StrayStitches wrote,

I haven’t tried any of those products before. Have you tried them before and if so, do you like them?

Stray, I’ve tried them all. Read my post on fusible web that was written in response to the Call for Topics. What I’ve landed on is SoftFuse.

Okay, I take that back. I’ve never tried Heat n Bond nFeather Lite. It may the most comparable Heat n Bond product. I’ll be interested to hear what Jen has to report.

Laurel Anderson, author of Appliqué Workshop, wrote,

I do two classes called Survey of Fusibles where we try a wide variety of fusible webs and rate them.

What a great class! Laurel’s teaching information is on her website, Whisper Color.

Susan wrote,

I would love to try this am working on my first appliqued quilt and evidently not using the correct fusible (breaking needles). Would definitely like to try this product.

My goodness Susan, what product are you using that breaks the needle? Do tell.

Remember to go to the blog itself to respond to any of this. Replying to your email subscription sends your comment only to me, and everybody wants in on this very important discussion!

Until next time, lots of fun stuff coming down the pike,
Kay
By Kay Mackenzie

Share This

Tea Ceremony by Marjorie Kilcrease, 109 x 120

Most of the teapots are from my Teapots 2 to Appliqué. I got the chance to talk with Marjorie a couple times during the show. She was beaming with pride over her quilt and so was I. Here’s the story of this masterpiece, from Marjorie herself.

When I saw Kay’s book on teapots, I fell in love with it. However, I kept thinking “Are you crazy? This is applique!” I collected oriental fabrics for about two years while I was trying to figure out how to display the teapots. Then I found the center panel with the Geisha holding the teacup.

Next, I found the block pattern called BQ2 by Maple Island Quilts and it looked very oriental to me. I was ready to sew!

This was my second appliqued quilt. I used the directions in the book to enlarge the patterns by 150% so they would fit on a 12″ block. I used a freezer-paper method (ironed to the back) with spray starch to anchor the edges down. Then I used the liquid basting to adhere the teapot parts to the block. The final step was machine-stitching the teapots. My husband designed three blocks for me too. The whole project took about four months.

The quilter, Wendy Knight, did custom quilting. In the black horizontal strips are names of tea or words like ‘happiness’, ‘peace’, etc. The vertical black strips have bamboo quilted in.

I had bought a large backing but still needed to enlarge it to make sure there was enough for the quilter. My husband helped me mimic the front design and we offset the black strips (instead of centering them) and then I used another panel that I found to add a decorative touch.

The quilt is for us and will take its turn on our king-size bed. However, all of my friends want me to put it in our will and leave it to them! They’ll need to discuss that with our two daughters though!

What Marjorie didn’t mention is that her quilt won First Place in Viewer’s Choice!

Congratulations Marjorie!!

Until next time,
Kay
By Kay Mackenzie

Share This

The Ultimate Appliqué Guidebook from C&T Publishing is our featured book this month.

Full disclosure: Annie is a buddy of mine. For years we’ve followed one another’s progression as we strove for and attained career goals. A goal that we each held dear was the publication of an appliqué book. I’m so thrilled for Annie that her wish came true last fall when this gorgeous book came to life.

I’ll start by telling you that this is not the ultimate guide to every method of appliqué that’s out there. It’ something very important, a sourcebook of appliqué design elements and a gentle guide through the process of finding inspiration, encouraging it, recording it when it strikes, and translating it into your own unique appliqué quilts.

Starting with the basics, Annie goes through choosing fabrics, playing with fabrics, employing a focus fabric, and determining value. There’s a comprehensive section on tools and supplies for appliqué.

Wow.

Then she moves on to detailed instructions for her own favored appliqué methods: raw-edge fusible machine appliqué and Holly Mabutas’s prepared-edge method for hand appliqué, where freezer-paper templates are ironed to the front and the turning allowance is glued to the back. All through the book there are specific, detailed photographs to help you see exactly what Annie’s talking about.

Then comes a section on the basics of design for blocks and quilts. These are important concepts that in my experience are not covered all the time. A beautiful gallery of quilts follows, to give you even more inspiration. Check out an earlier blog post of mine that shows Annie’s gorgeous coat and accompanying quilt, both of which are pictured in the book.

Following that are several lovely quilt projects to get you started, with pull-out patterns in the back Then comes a whole long catalog of appliqué design elements! A 50 page appliqué shape-a-palooza! Mix and match these as you like!

Many of the elements are given in a variety of sizes, and you can always enlarge or reduce on a photocopy machine. And, you can use any method of appliqué that you like. Another great thing about this book is that it has a lay-flat binding, so you can smooth it out flat for tracing without worrying about breaking the spine. Very cool!

Annie gave me an autographed copy of her book to give away to one of my readers in a drawing. Thank you Annie! If you’d like a chance to win, leave a comment by 7:00 p.m. California time on Saturday, June 4. Contest open to U.S. and Canada addresses only. Good luck!

Until then,
Kay
By Kay Mackenzie

P.S. In case you might not know, Annie does a podcast for quilters. Check it out at Simple Arts.

Share This

Rose is the author of Dream Landscapes, which was previously featured here on the blog.

Now Rose has published a beautiful followup book, Exploring Embellishments: More Artful Quilts with Fast-Piece Appliqué.

I just so happened to have a copy with me last night, which Rose graciously signed for us! That’s right, courtesy of That Patchwork Place we have a fantastic giveaway to a lucky winner of the book personally signed by the author.

Rose’s lecture was all about color, and about each quilter’s personal color journey. We had the treat of seeing her color-drenched, fast-piece appliquéd and embellished quilts in person as she displayed a trunk show of her work. On her website, Rose has a free Color Discovery Lesson. Check it out!

Exploring Embellishments focuses on the embellishment side of Rose’s work, taking us through all different types of fascinating doodads. Some were a surprise to me! I was familiar of course with buttons and with seed beads and bugle beads, but I never knew about coin beads or pressed glass/lampworked beads. They’re beautiful! Rose also urges us to consider a range of natural materials and found objects. Basically, anything that has a hole in it or that you can get a hole through, you can use to embellish your quilt!

I had never heard of air-dry clay. How very interesting! Rose also has good times with Angelina fibers, chenille sticks, wool roving, and the Mysterious Substance called Lutradur. You’ll see how to use these materials and more to fabricate your own unique embellishments.

Each project in the book is an embellishment learning experience, starting with Fast-Pieced Appliqué to create a colorful, interesting background.

Collectively these darling little quilts are called “The Truth About Cats and Dogs.”

The embellishments create the sparkle and glow of a moonlit “Starry Night.”

Wool-felt and wool-roving flowers.

To enter the drawing to win the book, leave a comment here on the blog before 7:00 p.m. California time on Friday, April 15. The contest is open to U.S. and Canada addresses only. If you’re subscribed by email or feed reader, remember to click over to the blog itself to leave your comment.

Cheers,
Kay
By Kay Mackenzie

Share This

Awhile ago I instituted a Giveaway for Kids. I’ll repeat the post here.

Due to a printing glitch and subsequent reprinting, I ended up with way more copies of In a Twinkle: Youthful Quilt Designs than I needed. It’s time for them to move away from home!

If you’re a member of a group that makes and donates quilts for kids in need, email me at “kay at kaymackenzie dot com” and tell me about your group. I’ll send you 6 copies (as many as I can stuff in a bubble mailer) by the “slow boat to China,” Media Mail. If you feel like paying me back for the postage, you can PayPal a couple bucks to the same address.

If you’re not a member of such a group but you know somebody who is, feel free to spread the word.

This book includes step-by-step, illustrated instructions for five easy quilts and a comfy cozy flannel blankie, plus detailed instructions on the fusible-interfacing method for machine-appliquéing big, simple shapes.

There are only a few more packets of In a Twinkle waiting to go to a good home. So if your group has not yet received any, now’s the time to let me know that you’d like one for the use of your group’s worthy efforts. U.S. and Canada only.

Thank you for what you do for kids,
Until next time,
Kay
By Kay Mackenzie

Share This

It’s been just over a year since I was given the green light from That Patchwork Place for this new book. I’ve blogged about the process a little bit from time to time. (If you look at the Categories in the left-hand sidebar you can click on ‘A story of another book’ to read those posts if you like.)

Inspired by Tradition: 50 Appliqué Blocks in 5 Sizes is presented in the same format as Easy Appliqué Blocks, my first book from TPP… 50 blocks shown in a thumbnail library so you can choose your block, and a CD that you stick into your computer, choose any one of 5 sizes, and print right at home! No figuring of percentages or folding, copying, and matching back up crooked sections! We even give reversed versions of each pattern, since you need that for some forms of appliqué.

The designs in this new book are all vintage and old-timey in look and feel, hence the name Inspired by Tradition. The publishers did an amazing job on the pages within… graceful, colorful, and pretty, and so well suited for showing off these blocks with traditional appeal. I couldn’t be happier with how it looks.

In addition to the blocks, there’s a Little Gallery of Ideas to get you thinking. We’ve included the dimensions of all the blocks, sashing, borders, etc. in case you’d like to make something similar. There are also extensive illustrated instructions for back-basting hand appliqué and raw-edge fusible machine appliqué, and a section of appliqué questions and answers compiled from what quilters talk about when they come into my booth at shows.

What I have right now is my advance copy. The book ships to quilt shops March 7. It’s available for pre-order on Amazon now, and at a great price too. And, if you go look at it on Amazon and click on ’see all product images,’ you can see all 50 of the blocks! That’s right, the publisher uploaded beautiful images of all 50 blocks, stitched by moi!

If you’d like to wait for a copy signed by me, I’ll have it on my website March 7 as well.

Thank you for taking a look at my new baby. I’m just a little bit excited.

Until next time,
Kay
By Kay Mackenzie

Share This