Appliqué Books
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Mar
3
Tile Quilt Revival
Filed Under Books, Fabrics, Fusible web, Hand appliqué, Machine appliqué, Needleturn, Prizes | 35 Comments
At the Road to California show in January, I had the excellent fortune to sit at the breakfast table with Carol Gilham Jones and Bobbi Finley. Several friends of mine were staying at the hotel, and they were also friends of Carol and Bobbi, so introductions were made–on a first-name basis–and Bobbi was flabbergasted when I asked her, “Are you Bobbi Finley??” That was a very familiar name to me after years of hanging around with active members of the American Quilt Study Group.
Carol and Bobbi had a special exhibit of their tile quilts in the show. Passing these at warp speed as I did the first time, these beautiful pieces have a stained-glass look, but lighter and airier. Bobbi says that a lot of people compare them to stained-glass quilts, but they’re not. Construction-wise, instead of “leading” applied over the raw edges of the shapes, these shapes are finished with turned edges, and the background is left exposed to create the spaces between shapes.
Tile Quilt Revival: Reinventing a Forgotten Form is Carol and Bobbi’s fascinating, educational, and inviting book that reintroduces this “unique and somewhat obscure” form of appliqué quilt.
Tile quilts are explained this way:
Traditional tile quilts… are constructed with small pieces of cotton fabric appliquéd in a random manner to a white background, leaving a narrow space between the pieces; this white space serves as the “grout” between the tiles or “mortar” between the pavers or stones.
The books starts out with a brief history of tile quilts, with great photos showing examples from the past. Then comes a section on how to make a tile quilt, reinterpreted for today. When I read the following, the heavens opened up and I heard the heavenly choir!
The tile quilt technique, with its large and simple shapes, creates an ideal showcase for bold, contemporary fabrics. Interesting, large-scale prints are will suited for the tile pieces. If you’ve ever found yourself admiring some of the daring prints now available but wondering how to use them, a tile quilt is an idea project for putting them to good use.
Hallelujah! I have a tub of fabrics in my stash labeled “Modern” that has been… well… sitting there.
Now my “daring” prints have a destiny!
The techniques used in the book are so simple they’re ingenious! No need to consider seam allowances, to reverse patterns, or to figure out where to place the pieces. Another really great thing about this book is that it has fantastic appliqué instructions… needle-turn by hand, turned-edge machine-appliqué and fusible machine appliqué too, all expertly explained and illustrated. If you’re reading this blog, you probably like appliqué already, but how about this section where the authors say:
Even if you don’t love to appliqué or don’t consider yourself to be skilled at it, chances are you will enjoy the tile quilt process because it is not exacting. The tile-and-grout form is quite forgiving, and the inevitable deviations from strict uniformity in the grout add to the visual interest and appeal of a piece.
How cool is that?? Get your A-word friends to take a look!
After the appliqué information, there are instructions for several projects with full-size pull-out patterns.
Then there’s a Gallery of Contemporary Tile Quilts. These are fun and inspiring to look at as you see what quilters of today are doing to reinvent the form.
C&T Publishing is graciously sponsoring a giveaway of a copy of Tile Quilt Revival! Leave a comment before 7:00 p.m. California time on Friday, March 5, to be in the drawing. U.S. and Canada only, unless you’d be willing to pay the shipping.
Those subscribed by email, click over the the blog itself and scroll to the bottom of the post to leave a comment.
I wanna start a tile quilt right now, but dang I have deadlines!
Until next time,
Kay
By Kay Mackenzie
Feb
10
Superior report
Filed Under Blanket stitch, Hand appliqué, Machine appliqué, Product demo, Threads | 8 Comments
Yesterday I had the chance to try out the Superior windfall.
This is an old block originally called Wandering Foot. That name was thought to bring on the wandering foot to youths who slept under it, so a new name was given to it… Turkey Tracks. Much more attractive, don’t you think? 
It’s also called Iris Leaf when it’s green on white.
Fused and unstitched.
After some investigation on the Superior website, I discovered that the Holy SuperBobs are Bottom Line, a line of thread developed by Libby Lehman. It’s 60-weight polyester. I perused the rainbow and picked out the color that matched the best.
Wow, you can hardly make it out! It really is whisper-fine.
I fired up my Bernina and adjusted the blanket stitch down a few ticks, reasoning that a very fine thread should be given a pretty small stitch. A few minutes later, and voila! The block was stitched, and looked great! My machine liked the thread, which I used in both the top and the bottom, and Mother Superior says it’s not linty like cotton.
How’s that for blending in? From a short distance you can’t see the stitching at all. This thread might be a nice choice when you really want to mimic hand appliqué while still using your machine, or when using the turned-edge blind-hem stitch method of machine appliqué (which BTW I am not adept at).
One thing I did note is that the edges of the appliqués feel a little “crispy” compared to when I use cotton thread.
On to MasterPiece. MasterPiece thread is 2-ply 50-weight cotton, favored by the Piece o’ Cake gals and by Alex Anderson.
A simple forget-me-not.
Fused and unstitched.
My choices from the rainbow.
I adjusted the blanket stitch to my usual setting, just a couple ticks down in width and length. Away I went!
I like it, my machine likes it. I wound a bobbin for the green, but for the dabs of yellow and blue I used bobbins I already had wound with DMC. Worked great! They really are equivalent in weight so that’s a plus for me that I can mix and match at this stage of evolution in my thread stash.
Now on to hand appliqué. I just happened to have a block in the queue that I needed to stitch up twice, to use as an example in the new book I’m working on for Martingale.
Here are the threads I chose.
Poly on the left and cotton on the right.
I started with the polyester first. I was really excited about trying out this thread for hand appliqué. In the past, when I’ve tried other brands of poly thread, it went around in circles, kinked up, and raveled at the end. I’m delighted to report that Bottom Line stays straight. It sinks right into the turned edge of the appliqué and hides itself really well, and I was not plagued with knots or kinks. Yay! The one thing I did notice is that since it’s more slippery than cotton thread, my thread tail kept shortening up on me and I lost the thread out of the needle a couple times. I guess this just takes getting used to coming from the fabric of our lives.
I was on a roll watching the chocolate challenges on Food Network, so I plunged on ahead to the second version, using MasterPiece cotton. Excellent on all counts.
Can you tell the difference in the completed piece? Neither can I, so I’ve been keeping sticky notes on them .
These pink dogwood blocks may seem kinda pale, and that’s on purpose. I’m going to embroider around the edges of one of them to illustrate how you can better define the edges of your appliqués when you want to use low-contrast fabrics.
Well, thanks guys! I got a lot done yesterday!
Chime in! I’d like to hear from others who use Bottom Line or MasterPiece. How do you use it, why do you like it?
Until next time,
Kay
By Kay Mackenzie
Dec
28
Another spectacular teapot find
Filed Under Books, Hand appliqué, Patterns, Show & Tell | 5 Comments
Look what I found this time! It’s a teapot extravaganza!
Lura Gordy of Sherwood, Oregon, was the driving force behind this beautiful masterpiece. Here’s her story:
Kay,
I enjoy the process of appliqué. In fact, I learned needle-turn appliqué using the patterns in your Teapots 2 book. I wanted to make my sister a table runner and six placemats as a gift. I started out using a faux appliqué method but was unable to get the fine details. I went to your blog and tried several of your methods. I also attended the monthly appliqué club meetings that are connected to the quilt guild of which I am a member. The more I learned, the more I liked what I was doing.
I suffer from restless leg syndrome and by doing appliqué work in the evenings, I keep the restlessness away. Once the table runner and placemats were finished, I appliquéd enough blocks to make another set.
The first of the year, I volunteered to be a member of a committee to design and make a raffle quilt for the Tualatin Valley Quilt Guild in Sherwood, Oregon. I suggested a quilt with appliquéd teapots and I volunteered to appliqué the blocks. I used the patterns from both of your teapot pattern books to make 24 blocks. We used 22 of the blocks (10″) which made a very large king size quilt. The center block was appliquéd by Ann Hartman who is in charge of the appliqué club and a member of the guild.
Now I am working on patterns from your book of baskets. I am trying new techniques and new ways of embellishing the blocks. I enjoy your patterns and books.
Thank you,
Lura Gordy
Here’s a closeup of the center block. The basket (not one of mine but it sure is beautiful) is surrounded by cups and saucers, cream and sugar, and a plate of cookies from my Teapots books.
Erin Davis of In Stitches Quilting in Newberg, Oregon, was the one who took the quilt to a retreat for Show & Tell, which led me to find it on the Anyone Can Quilt blog. Erin was kind enough to send me a great picture, and she reports, “On behalf of the Tualatin Valley Quilt Guild, it was a fun project to work on and we are proud of the outcome.”
Me too! Big time! What a huge treat! Thank you, Lura and all the members of the Tualatin quilters, for such a spectacular job. I hope the quilt raises lots of funds for the guild.
Until next time,
Kay
Dec
21
Sharp notches
Filed Under Hand appliqué, Holiday, Needleturn, Photo tutorial | 5 Comments
When I posted my illustrated guide to points back in September, I had some requests for the same type of thing for sharp notches. It’s been on my list and I’ve been checking it twice, so here you go. A very happy holiday to you in all the flavors!
Stitches are exaggerated for illustration purposes.
Clip almost to the turn line.
Sew to within 2 or 3 stitches of the notch. There will be very little turning allowance in this area. That’s okay. Use very small stitches and tuck under any loose threads.
Turn the project. Tuck under the first bit of turning allowance on the other side of the notch. In this illustration, some threads from the motif fabric are sticking up in the notch. The needle is not stitching; it is behind the motif, ready to sweep the misbehaving threads under.
Use the shaft of the needle to sweep across the notch, creating a tiny fold and encouraging any threads to go under. The needle is still not stitching, just sweeping.
Take the remaining stitches down to the notch. The last one, directly in the notch, should pick up 3 or 4 threads of the motif fabric.
Sweep again if needed. With the tip of the needle, dig under the motif fabric and insert the needle exactly where the current stitch came out. Swing the needle and come out going uphill for the next stitch. Snug the thread down well to create a sharp notch.
I hope that whatever Santa you celebrate brings you all good things
this year.
“A Happy Christmas to All” by Kay Mackenzie (detail), designs from
A Merry Little Christmas to Applique
Until next time,
Kay
By Kay Mackenzie
Dec
14
Double the Artful Appliqué!
Filed Under Books, Color, Cutaway, Designers, Hand appliqué, Needleturn, Patterns, Prizes | 80 Comments
To celebrate my birthday on December 17 (not to mention the holiday season), I’m doing a super-duper, extra, extra-special, double-the-appliqué giveaway! Because you see, these things are as much fun for me as they are for you.
I happen to have copies of both Artful Appliqué: The Easy Way from the year 2000 and still in print, and the brand-new Artful Appliqué II: Introducing Scrappliqué and 12 New Floral Designs by Jane Townswick, provided by Martingale & Company / That Patchwork Place. I’m putting them together and giving you guys an opportunity to win them as a package deal. How festive is that for an appliqué enthusiast?
“Having been a die-hard patchwork fan for many years,” begins Jane in the introduction, “I thought there was very little reason for appliqué quilts to exist — until Nancy Pearson’s “Techny Chimes” stopped me dead in my tracks.”
I’m right there with you on that one, Jane. Here’s a page from my inspiration scrapbook. That’s Techny Chimes on the lower right.
“Beautiful hand appliqué is as individual as a fingerprint,” Jane continues.
I really appreciate this sentiment of encouraging individuality and de-emphasizing the need for exact copying and perfection, which IMO takes away from the pleasure of the work.
In the book Jane presents many unusual (to me) and innovative techniques for creating motifs — partial stitching, modified cutwork, and unit construction. (Just goes to show how different brains work differently.) These methods enable tiny, rich details that still have turned edges.
The appliqué information also shows how to achieve precision where precision is important, and individual, artful results where precision is less important.
Leaves don’t have to be green, did you know that? I know that, but I mostly forget it when I reach for my fabrics. You’ll see some stunning results in the book’s gallery of quilts where the quilters have reached past the green box.
The gallery includes many beautiful quilts made by Jane and her students. The author then includes 16 appliqué blocks, each one with complete skill-building instructions. It’s easy to see why this one is still in print after nine years, it’s a classic.
Artful Appliqué II: Introducing Scrapliqué and 12 New Floral Designs
I just received this one from Martingale so it’s hot off the presses! I can tell from the cover that the floral designs are even more free-form, natural, and detailed. Never fear, Jane takes you step-by-step through her way of mastering this realism. She does advises beginners to consult one of her previous books or another reference book for the basics of appliqué.
In this book Jane introduces Scrapliqué, a technique for creating mosaic-like fabric compositions for your motifs without having to stitch tiny pieces together. There’s also information on unit appliqué, where you can stitch an entire flower before stitching it to the background. Jane explains several advantages to this strategy.
The book has sections on color blending, free-form stems and branches, and a unique way of stitching sharp points. There’s a gorgeous gallery of quilts and 12 floral blocks with step-by-step instructions and photos. You’ll find anemone, camellia, iris, lady’s slipper, pansies, sweet peas, and more! All so detailed you wouldn’t believe it.
Martingale recently published an interview with Jane on their blog. Be sure to go and read that for more information on the artist.
Leave a comment before 7:00 p.m. California time on Thursday, December 17 (my bday ), for a chance to win this fantastic combo platter. U.S. and Canada only, unless you’d be willing to pay the shipping.
Happiest holidays to you!
Kay
By Kay Mackenzie
Dec
6
Victorian Baskets
Filed Under Books, Color, Hand appliqué, Needleturn, Patterns, Show & Tell | 3 Comments
I met Gloria Foley a couple years ago at my home guild’s quilt show when she came into my booth and spotted my Baskets to Appliqué designs. Gloria is the proprietress of The Victorian Quilter, a traveling quilt-show shop specializing in patterns and fabrics with that romantic, Victorian patina.
Gloria gave me an order on the spot for a batch of the books and told me of her plans to make a sample to hang in her booth. Since that time she has become a wonderful friend and a mentor to me, sharing her knowledge of area quilt shows and giving me great tips. Every time I would talk to her or see her at a show she would tell me that the baskets were coming along. Last spring I saw the blocks, completed but not set together yet. They were just gorgeous… soft and rich looking.
Well, at the recent River City Quilt Guild show in Sacramento, I checked in with her during setup and there was the quilt, finished and up on the wall.
Victorian Baskets by Gloria Foley
Wow!!! Look at that red setting. Talk about punch! It looks so different from mine, I love it! Gloria used needleturn appliqué and, instead of a dogtooth border, she used prairie points in the border.
Sixteen Baskets by Kay Mackenzie
At the Sacramento show, people had fun walking back and forth between our booths to look at the two versions.
Until next time,
Kay
By Kay Mackenzie
Dec
1
Baltimore Basics
Filed Under Baltimore Album, Books, Borders, Designers, Hand appliqué, History, Needleturn, Patterns, Prizes | 46 Comments
Have I got a good one for you this time! December’s giveaway, sponsored by Martingale & Company / That Patchwork Place, is Mimi Dietrich’s classic, Baltimore Basics: Album Quilts from Start to Finish.
What a delight for the appliqué enthusiast! Mimi, a Baltimore native and lifelong resident, is an authority on this amazing quilt form that has hooked so many of us on appliqué.
Mimi begins by presenting food for thought in planning your quilt, considering options, making decisions, and getting organized. This is not your quick-and-easy type o’ deal. These are more like thoughtful, measured, long-range projects that you should enjoy all along the way.
Next comes a great idea — printed layout mockups! You can photocopy the block thumbnails, cut them apart, and try them out in several pre-printed arrangements to see what you like best. Very cool.
Then there’s a whole beautiful section giving fabric yardage and cutting instructions for a wide variety of sizes and settings. Mimi really helps you design your own quilt.
After giving information on fabrics and supplies, Mimi takes you step-by-step through several methods of preparation for hand appliqué. She encourages you to try them all to see which is your favorite. Then comes detailed information on hand stitching, plus sections on the stems, circles, baskets, and bows that we see so commonly in Baltimore Album. Since Mimi also knows dimensional appliqué, she throws in folded rosebuds and ruched flowers.
Then, of course, there are the 12 beautiful block patterns reminiscent of old, each one accompanied by a color photo of the stitched design.
The book ends with how to sew your blocks together, how to make appliquéd borders, and quilting and finishing your big or little masterpiece.
I get to play Santa! U.S. and Canada only, unless you’d be willing to pay the shipping. Leave a comment before 7:00 p.m. California time on Friday, December 4. The lucky winner will receive Baltimore Basics plus my book Easy Appliqué Blocks: 50 Designs in 5 Sizes.
Ho ho ho!
Kay
By Kay Mackenzie
Nov
26
The big things
Filed Under Hand appliqué, Holiday, Needleturn, Photo tutorial | 2 Comments
My husband of 20 years, Dana Mackenzie.
Our dog of 15 years, Bertram Wilberforce Woofster Mackenzie III, aka Willie.
The Last of the Mohicans, Pixel, 19 years old and sleeping snugly in the closet with my old Bernina.
Chutney and Maikai, our two kitty friends of 18 years, to whom we bid a furry farewell this year.
My hands. I was thinking about this after the quilt show in Sacramento last weekend. Sometimes ladies come into my booth, look around, and say, “I used to appliqué but my hands don’t work any more.” That’s a sadness to me. So I’m thankful that I have my hands. Not many people know this, but I’m what I call a ‘closet arthritic.’ Two major bouts earlier in my life stiffened my joints and crimped up my toes but, very thankfully, spared my hands. I can appliqué.
The above photo is a staging shot that I sent to Martingale for their reference in creating an illustration. Here’s the corresponding figure from Easy Appliqué Blocks, showing how I pinch the turning allowance under ahead of my stitching.
Those are the really big things. Happy Thanksgiving to you and yours.
Until next time,
Kay
By Kay Mackenzie
Nov
2
I’m a Subversive Stitcher!
Filed Under Articles, Back-basting (no-template), Blanket stitch, Books, Fusible web, Hand appliqué, Improvisational appliqué, Machine appliqué, Needles, Patterns, Raw edge | 3 Comments
Writer Dawn Goldsmith invited me to do a guest post on her blog, Subversive Stitchers: Women Armed with Needles.
Of course I wanted to do that! What a great name, and an admirable spirit! I’m not all that subversive actually, but I am totally armed with needles. I wrote a post about the three main sharp implements in my life, showing a few examples of what I’ve done with them.
Be sure to check out Subversive Stitchers, a blog about the abounding creativity of women who wield all sorts of needles.
Thank you, Dawn, one writer to another. What a treat for me.
Until next time,
Kay
By Kay Mackenzie
Nov
1
Pat’s pics of antique quilts at Houston
Filed Under Borders, Circles, Color, Designers, Hand appliqué, History, Quilt shows | Leave a Comment
Daily blogger Pat Sloan put up a post showing some of the antique appliqué quilts that were displayed during Festival in Houston. They are so amazing.
Until next time,
Kay
By Kay Mackenzie
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