The Ultimate Appliqué Guidebook from C&T Publishing is our featured book this month.

Full disclosure: Annie is a buddy of mine. For years we’ve followed one another’s progression as we strove for and attained career goals. A goal that we each held dear was the publication of an appliqué book. I’m so thrilled for Annie that her wish came true last fall when this gorgeous book came to life.

I’ll start by telling you that this is not the ultimate guide to every method of appliqué that’s out there. It’ something very important, a sourcebook of appliqué design elements and a gentle guide through the process of finding inspiration, encouraging it, recording it when it strikes, and translating it into your own unique appliqué quilts.

Starting with the basics, Annie goes through choosing fabrics, playing with fabrics, employing a focus fabric, and determining value. There’s a comprehensive section on tools and supplies for appliqué.

Wow.

Then she moves on to detailed instructions for her own favored appliqué methods: raw-edge fusible machine appliqué and Holly Mabutas’s prepared-edge method for hand appliqué, where freezer-paper templates are ironed to the front and the turning allowance is glued to the back. All through the book there are specific, detailed photographs to help you see exactly what Annie’s talking about.

Then comes a section on the basics of design for blocks and quilts. These are important concepts that in my experience are not covered all the time. A beautiful gallery of quilts follows, to give you even more inspiration. Check out an earlier blog post of mine that shows Annie’s gorgeous coat and accompanying quilt, both of which are pictured in the book.

Following that are several lovely quilt projects to get you started, with pull-out patterns in the back Then comes a whole long catalog of appliqué design elements! A 50 page appliqué shape-a-palooza! Mix and match these as you like!

Many of the elements are given in a variety of sizes, and you can always enlarge or reduce on a photocopy machine. And, you can use any method of appliqué that you like. Another great thing about this book is that it has a lay-flat binding, so you can smooth it out flat for tracing without worrying about breaking the spine. Very cool!

Annie gave me an autographed copy of her book to give away to one of my readers in a drawing. Thank you Annie! If you’d like a chance to win, leave a comment by 7:00 p.m. California time on Saturday, June 4. Contest open to U.S. and Canada addresses only. Good luck!

Until then,
Kay
By Kay Mackenzie

P.S. In case you might not know, Annie does a podcast for quilters. Check it out at Simple Arts.

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A couple designing buddies of mine have just come out with new patterns that are extremely high on the cuteness scale.

Last fall I blogged about the Tokay Stitchers show, where I had the good fortune to be next-door-neighbors with Rita and Debbie of Lady Bug Lace.

The gals just put out a new pattern called No More Monkeys.

Is that fun or what??

Rita and Debbie told me that since some of the appliqué pieces in the pattern are large, they decided to print one large copy of the design, thinking this would be easier for the quilter than taping several smaller pieces together. The drawing can be taped up onto a sliding glass door or a large window to trace the appliqué pieces, and you can also use the whole drawing to place under the background fabric for placement of the appliqué pieces.

That is certainly an added convenience for the quilter! No More Monkeys is available from their Etsy store.

Neeext… Holly Mabutas of Eat Cake Graphics is at it again! She has just released a darling new quilt pattern called To The World.

This pattern started out life as a rubber stamp, like many of Holly’s do, and is now available for quilters. The very cool thing about Holly’s patterns (besides their adorability) is that Holy includes instructions for her freezer-paper-on-top-glue-to-the-back method of preparation for hand appliqué.

To The World is available over on the quilt pattern page at Eat Cake Graphics.

I’m off to Salt Lake City tomorrow for International Quilt Market, Spring Edition. My publisher has lined up a couple book signings for me, which are so much fun and quite a heady experience. See you after I get home!

Until then,
Kay
By Kay Mackenzie

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Admin note: the previous drawing for a year’s subscription to the new Quilt Pattern Magazine in still underway. The winner will be chosen the first week of January.

Now on to today’s post. Last year at this time I did a special double giveaway to celebrate my birthday on the 17th (not to mention the other holidays). It was so much fun and made me feel like my birthday lasted for a week! So we’re doing it again this year.

When the nephews were kids, Dana and I used to travel to Minneapolis for Christmas. Now that the boys are all tall and college-y, we stay home and enjoy the comforts of our own living room at Christmastime. Much as I loved seeing the boys dive through their presents, now I love our quiet celebration at home.

And so, in keeping with that theme, I’ve selected two titles that play on the theme of Comfort.

First we have ‘Tis the Season: Quilts and Other Comforts.

As the authors Jeanne Large and Shelley Wicks say, “Adding just a few accents to a room can change the feel of that space from everyday to holiday.” In that spirit, the book offers simple and charming quilts and projects to “keep your home well dressed for winter!”

Jeanne and Shelley should be experts in the field, since they live in Saskatchewan, Canada.

Brrr!

The book starts out with basic information on fabric selection and preparation, then moves on the the authors’ favorite special techniques. Included here are fusible-web appliqué, fusible-interfacing appliqué, working with wool, hand-embroidering, making vines, and finishing basics.

Then, on to the projects! There are detailed instructions for very cute pillows and wall quilts to welcome Santa and the season (you can see one on the cover), cozy lap quilts, cheery welcoming table toppers, a whimsical primitive wool runner, and tons of inspirational decorating ideas.

What I really like about these projects is all the words! Plus, the templates given in the book are full-size and already reversed for your ease of use in fusible-web appliqué.

Our second offering is Country Comforts: Quilts for Casual Living.

Country Comforts by Cheryl Wall is full of that comfy old-fashioned primitive style that I appreciate so well.

The author’s introduction is an inspiration unto itself. “I’m drawn to the primitive style of quilting and crafting because of the freedom it allows me to make projects that are less than perfect but still beautiful,” says Cheryl. “I believe that the creative process should be fun and soul satisfying.” Right on sister! Worrying about stuff only robs us of the enjoyment of quiltmaking.

The books starts out with the basics of quiltmaking, including supplies you’ll need and some info on the types of fabrics that work well for this style, also rotary cutting, chain piecing, pressing, freezer-paper-on-top hand appliqué, wool appliqué, and hand-embroidery stitches. Finishing your quilt is covered too.

Most of the warm and inviting projects in the book are a combination of patchwork and appliqué, a combo platter that just always works. You’ll find quilts for laps, beds, tables, walls, or just plain draping over something. All of them will lend your home that air of casual comfort and relaxation.

If you’d like to enter the drawing to win these two titles courtesy of That Patchwork Place, leave a comment by 7:00 p.m. California time on Saturday, December 18.

Those subscribed by email or feed reader, remember that you’re not actually on the blog when you read the posts. You’ll need to click the title of the post to be taken to All About Appliqué on the internet, where you’ll be able to leave a comment at the bottom of the post and enter the drawing. U.S. and Canada only due to the cost of shipping.

Good luck everyone and I hope you are having a happy holiday season!

Until next time,
Kay, Dana, and Willie!
By Kay Mackenzie

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Hand vs. Machine Appliqué: A Timed Experiment
by Kay Mackenzie

For quite a long time I was a hand appliquér only. But when I started designing appliqué patterns for publication, I turned to machine appliqué as a speedier way of creating second and third examples of the designs. After all, machine appliqué is a lot faster, right?

Somewhere along the way I became curious about how much time I was actually saving. I decided to conduct a personal timed study to compare a hand method and a machine method. I used a block from A Spin in the Garden, a pattern I was designing.

The spinning vine block in the middle
is the one I used.

I’ll begin by briefly describing the two methods I compared:

I used the same block and the same fabrics for both methods. I did not time the initial steps that were common to both methods, including selecting fabrics, cutting background squares, finding my glasses, gathering all materials, supplies, and notions, numbering the shapes in placement sequence, and assigning the colors on the pattern.

After organizing my thoughts and the projects, I set to work, watching the clock and recording the time for each step. I did one method all the way through, then the other. Here are my results.

Hand

Machine

Click either block for a close-up.

It was interesting to note that the pre-stitching phase took longer for machine appliqué than for hand appliqué. Cutting out the centers of the fusible web templates is not applicable for freezer-paper templates, and ironing time for fusible web templates is longer than for freezer-paper templates. For hand appliqué, I didn’t need to set up my machine, and I could trace the overlay quickly and with less care, since it was for placement purposes only.

The time savings for machine appliqué showed up in the last stage, where the shapes were placed, secured, and stitched. The grand total difference in time represented about a 30% overall time savings for machine appliqué.

There’s a lot to think about when looking at these time results. You may be faster or slower at any of these steps than I am. There are many ways to appliqué, and you may use differing techniques that are slower or faster within either hand or machine methods.

Also worth noting is that when I first took up machine appliqué, I don’t think I saved any time at all, because I made a lot of mistakes. Forgetting to reverse the pattern, neglecting to remove the centers of the templates, having the fusible come apart from the paper backing before I had a chance to use it, fusing to the right side of the fabric (force of habit from hand appliqué), and probably a few other embarrassing ways to get things wrong — mistakes in machine appliqué are not a time saver! Now I am comfortable and practiced at both methods, and the times noted in this experiment refer to a “clean run.”

Time, of course, is not the only factor for choosing one method over another. Personal enjoyment, skill level, preference for appearance, portability, appropriateness for the chosen project, type of sewing machine, these things and more can come into play when choosing an appliqué method.

I’m so glad I decided to conduct this personal timed study. Now I have learned that when either method is equally appropriate for my project, and time is the deciding factor, I’ll be saving almost a third by using machine appliqué.

I’d love to hear what you think about this! Did I save as much time as you thought I would?

Kay
Quilt Puppy Publications & Designs

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Today I’m writing about my favorite quilt as part of the Bloggers Quilt Festival put on by Amy of
Park City Girl.

My favorite quilt is usually the one I just started but if I had to pick just one, I’d have to say that it’s my Sixteen Baskets.

Here are the reasons why:

In many ways I think this is my best work. It’s hand appliquéd, back during the time that I favored the freezer-paper-template-on-top method (before I learned back-basting). The tiniest motifs are machine appliquéd or hand embroidered.

Each of the blocks is my original design… they’re published in my book Baskets to Appliqué. It was an exciting, emotional, fulfilling process developing the concept for each basket, and I still remember that time…. the mischevious kitty, the fat quarters rolled up, the nod to Baltimore, the pastel eggs inspired by Janet’s chickens who gave us eggs exactly those colors.

This quilt is also hand quilted. I took a picture that’s unevenly lit on purpose to try to get the quilting to show up. I love hand quilting and don’t get the chance to do it as much as I used to.

I love the soldier blue and the dogtooth border. (Also that it’s called a dogtooth border, because I love dogs.)

So that’s my favorite quilt. Thanks for visiting to see my entry in the Bloggers’ Quilt Festival! Visit Park City Girl every day through April 24 and get a ringside seat for other bloggers’ favorite quilts! It’s quite a show!

Until next time,
Kay
Quilt Puppy Publications & Designs

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Until next time,
Kay
Quilt Puppy Publications & Designs

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Here’s what the package says:

Here’s what it looks like when you take it out of the package. This is only a portion of it.

I cut out a hunk of the regular supermarket freezer paper and a piece of Ricky’s. Ricky’s does feel softer, thinner, and more flexible. I hope you can see a difference in this photo.

Personally I end up chopping my freezer paper into little pieces for the type of appliqué that I do, but I can see where this product would come in mighty handy if you’ve been taping together sections of freezer paper to use with large patterns in other techniques. For instance, what comes to mind is designing and marking swag borders, where you use a piece of freezer paper that’s the same dimensions as your border, then fold it into sections for the swags.

I went ahead and tested it out for the freezer-paper-on-top type of appliqué that I know.

Note the cardboard underneath. The firm surface helps create a better bond when ironing the template onto the fabric.

I’m a baster… can’t abide pins when I’m trying to stitch.

Works great!

It strikes me as amusing that Ricky would need to call this product by a name that’s not what it’s intended for (wrapping meat for the freezer) so that it will be familiar for quilters!

C’mon gang, chime in. What use would you make out of extra-wide freezer paper?

Kay
Quilt Puppy Publications & Designs

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The first thing I did was to go out and get a brand-new glue stick. I happened to know that the ones I had were a mite dried out — moral of the story, don’t buy them too far in advance, or try keeping them in the fridge as a friend of mine told me.

As it happens, we’re having a heat wave in Santa Cruz. There are just a few days a year when we roast… yesterday it was 102º and I was sweating just sitting upstairs in my studio. So today I gathered up everything that I needed and put up my handy-dandy little table from Costco downstairs in the living room to work in cooler conditions.

Freezer-paper templates traced and cut out.

I used the bunny block from my Spin in the Garden pattern.

I had to run upstairs to iron the templates onto the right sides of the fabrics. I used a piece of cardboard underneath, which helps create a better bond.

The next step is to trim the motifs, leaving a scant ¼” turn-under margin. Here are the pieces, trimmed and clipped. There’s a dashed line on areas that are going to be overlapped by another piece.

Gluing the margin back onto itself on the wrong side. Holly says to use an awl… I didn’t have one so I used a stylus with a tiny, sharp tip. The moist sponge is for cleaning off the glue stick when it gets thready. I’m working on top of an plastic sheet protector.

Here are all the pieces glued and with templates removed.

I wasn’t a whiz at the previously unused fine motor skills required to turn the margin with the implement, but I’m thinking I can smooth things out as I stitch. And, as Holly says, “Don’t be too hard on yourself if things aren’t perfect the first time or even the second. With a little patience and practice you’ll do just fine. ”

Again using the sheet protector, I’m positioning the pieces to join them together into units. No background fabric involved at this point! Holly advises using little dots of Roxanne’s basting glue for this step. I didn’t have any so I hauled out some really ancient stuff called Border Patrol. Turns out this was a misstep on my part, and I’ll tell you why later. Anyway, I used it on the edges of the tail and ears that were going under the body piece, and glued the bunny together.

Here’s a whole bunny, separate unto itself, edges turned and ready to hop onto different background fabrics until it finds its favorite one.

Here I’ve positioned all of the elements on the background fabric and have used the liquid glue to secure them in place. Still hoping I can work out those pokies.

All stitched… and it worked! I was able to manipulate out the little bumps. For the more serious ones, I dipped a cotton swab in water and soaked the edge of the motif. The glue released immediately and I was then able to smooth out the curve with my needle.

Okay so here’s why the liquid basting glue I used was not a good choice. Turns out, unlike Roxanne’s, it’s a permanent glue, and I used it in some injudicious places. See the little spot on the bunny’s paw? It’s confusing, but when you look at glue labels, you want it to say “water soluble” or “washes out.” “Washable” means it doesn’t wash out!

Anyway, aside from that little “learning experience,” I’d say this is the best method of turned-edge glue stick appliqué I’ve tried. For one thing, you don’t need a reversed pattern… what you see is what you get. Plus, you don’t have any freezer paper to remove once you’ve finished stitching. Holly appliqués these by hand, and so did I. If the templates were on the inside you’d have a crinkly, crunchy time of it, but here, where they’re gone already, it was a pleasant stitching experience. And a big thundercloud came along and cooled things down considerably.

Thanks a million, Holly, for sharing your preferred method with me, and allowing me to show it other appliqué fans. If you like an edge that’s already turned before you start stitching, this might become your favorite too! Get one of Holly’s adorable patterns and try it out for yourself.

See A Spin in the Garden over at Quilt Puppy.

Until next time,
Kay
Quilt Puppy Publications & Designs

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Quilting professionals have differing opinions on how to handle clipping. Here’s my personal best advice on the subject.

NOTCHES
V’s, valleys, inside points, crannies… they go by a lot of names. Whatever you call ‘em, some teachers advocate clipping all the way to the bottom. I clip almost to the bottom. The way I stitch notches, by taking a slightly bigger bite with the needle, then snugging the stitch down, it works out better to have a couple threads to grab.

CURVES
Inside curves: Again the divide… to the line, or almost to the line. I’m a fan of a series of shallow clips on inside curves. If you’re using a small 3/16″ turn-under margin, you shouldn’t have to clip deeply to get the fabric to turn under nicely.

Outside curves: No, I say, no clip! Again, the scant margin allows the fabric to go under without wrinkling up on itself, causing “the pokies.” If you clip this outer curve, the fabric has a tendency to go loosey-goosey.

In either case, notches or curves, a full 1/4″ turn-under margin may cause you to have to clip where you don’t really need to. Go for the scanter margin. This small margin makes some quilter nervous, but fine work is achieved through this closer trim.

This information applies to hand appliqué. The machine appliqué method that uses freezer paper and glue is not among my skill set, so I’m not sure about best clipping protocols there. And of course, for raw-edge machine appliqué, there’s no clipping ever!

Until next time,
Kay
Quilt Puppy Publications & Designs

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“Seedlings” — for next year!

Until next time,
Kay
Quilt Puppy Publications & Designs

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