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Jul
8
Hand vs. Machine Appliqué: A Timed Experiment
Filed Under Articles, Freezer paper on top, Fusible web, Hand appliqué, Machine appliqué, Needleturn, Patterns | 13 Comments
I wrote this article awhile ago. I couldn’t get a magazine interested in it, so
I publish it for you here, because I think it’s quite an interesting proposition. This was before I learned back-basting.
Hand vs. Machine Appliqué: A Timed Experiment
by Kay Mackenzie
For quite a long time I was a hand appliquér only. But when I started designing appliqué patterns for publication, I turned to machine appliqué as a speedier way of creating second and third examples of the designs. After all, machine appliqué is a lot faster, right?
Somewhere along the way I became curious about how much time I was actually saving. I decided to conduct a personal timed study to compare a hand method and a machine method. I used a block from A Spin in the Garden, a pattern I was designing.
The spinning vine block in the middle
is the one I used.
I’ll begin by briefly describing the two methods I compared:
| HAND Traditional needle-turn using bias tape maker, freezer-paper templates, and a tracing-paper placement overlay. |
MACHINE Raw edge, small machine blanket stitch using paper-backed fusible web and a tracing-paper placement overlay. |
I used the same block and the same fabrics for both methods. I did not time the initial steps that were common to both methods, including selecting fabrics, cutting background squares, finding my glasses, gathering all materials, supplies, and notions, numbering the shapes in placement sequence, and assigning the colors on the pattern.
After organizing my thoughts and the projects, I set to work, watching the clock and recording the time for each step. I did one method all the way through, then the other. Here are my results.
| HAND | Minutes | MACHINE | Minutes |
| Trace pattern quickly onto tracing paper to make placement overlay. | 2 | Trace pattern carefully onto tracing paper with a heavy marker to make placement overlay, also serves as reversed pattern. | 5 |
| Using front of pattern, trace a freezer-paper template for each shape except vine. Cut out templates precisely on drawn lines. | 8 | Using reversed pattern, trace a fusible-web template for each shape, including vine. Cut out templates roughly outside drawn lines. Cut away centers of flower and leaf templates. | 14 |
| Iron templates onto right side of assigned fabrics. | 4 | Iron templates onto wrong side of assigned fabrics. | 7 |
| Cut out shapes, leaving a turn-under margin outside template. Clip notches. | 6 | Cut out shapes on drawn line. | 8 |
| Make vine using bias tape maker. Apply thin strip of fusible to back of vine. Trace vine placement onto background fabric. | 6 | ||
| Clean and oil sewing machine, change presser foot, insert new needle. Wind bobbin for each thread color. Adjust blanket-stitch setting, test stitching. | 8 | ||
| PREPARATION SUBTOTAL | 26 | 42 | |
| Fuse vine in place. Stitch vine. Then, one shape at a time, using placement overlay, remove templates and place, baste, stitch using thread to match each shape. | 160 | All at once, using placement overlay, remove paper backing and place, fuse, stitch using thread to match each shape (all of one color is stitched before changing thread). Pull thread tails to the back, knot, and bury. | 91 |
| TOTAL | 3 hours 6 min | 2 hours 13 min | |
Hand
Machine
Click either block for a close-up.
It was interesting to note that the pre-stitching phase took longer for machine appliqué than for hand appliqué. Cutting out the centers of the fusible web templates is not applicable for freezer-paper templates, and ironing time for fusible web templates is longer than for freezer-paper templates. For hand appliqué, I didn’t need to set up my machine, and I could trace the overlay quickly and with less care, since it was for placement purposes only.
The time savings for machine appliqué showed up in the last stage, where the shapes were placed, secured, and stitched. The grand total difference in time represented about a 30% overall time savings for machine appliqué.
There’s a lot to think about when looking at these time results. You may be faster or slower at any of these steps than I am. There are many ways to appliqué, and you may use differing techniques that are slower or faster within either hand or machine methods.
Also worth noting is that when I first took up machine appliqué, I don’t think I saved any time at all, because I made a lot of mistakes. Forgetting to reverse the pattern, neglecting to remove the centers of the templates, having the fusible come apart from the paper backing before I had a chance to use it, fusing to the right side of the fabric (force of habit from hand appliqué), and probably a few other embarrassing ways to get things wrong — mistakes in machine appliqué are not a time saver! Now I am comfortable and practiced at both methods, and the times noted in this experiment refer to a “clean run.”
Time, of course, is not the only factor for choosing one method over another. Personal enjoyment, skill level, preference for appearance, portability, appropriateness for the chosen project, type of sewing machine, these things and more can come into play when choosing an appliqué method.
I’m so glad I decided to conduct this personal timed study. Now I have learned that when either method is equally appropriate for my project, and time is the deciding factor, I’ll be saving almost a third by using machine appliqué.
I’d love to hear what you think about this! Did I save as much time as you thought I would?
Kay
Quilt Puppy Publications & Designs
Apr
17
My favorite quilt
Filed Under Borders, Color, Embellishment, Freezer paper on top, Hand appliqué, Needleturn, Quilt shows, Stems/vines | 29 Comments
Today I’m writing about my favorite quilt as part of the Bloggers Quilt Festival put on by Amy of
Park City Girl.
My favorite quilt is usually the one I just started 
but if I had to pick just one, I’d have to say that it’s my Sixteen Baskets.
Here are the reasons why:
In many ways I think this is my best work. It’s hand appliquéd, back during the time that I favored the freezer-paper-template-on-top method (before I learned back-basting). The tiniest motifs are machine appliquéd or hand embroidered.
Each of the blocks is my original design… they’re published in my book Baskets to Appliqué. It was an exciting, emotional, fulfilling process developing the concept for each basket, and I still remember that time…. the mischevious kitty, the fat quarters rolled up, the nod to Baltimore, the pastel eggs inspired by Janet’s chickens who gave us eggs exactly those colors.
This quilt is also hand quilted. I took a picture that’s unevenly lit on purpose to try to get the quilting to show up. I love hand quilting and don’t get the chance to do it as much as I used to.
I love the soldier blue and the dogtooth border. (Also that it’s called a dogtooth border, because I love dogs.)
So that’s my favorite quilt. Thanks for visiting to see my entry in the Bloggers’ Quilt Festival! Visit Park City Girl every day through April 24 and get a ringside seat for other bloggers’ favorite quilts! It’s quite a show!
Until next time,
Kay
Quilt Puppy Publications & Designs
Feb
26
Wool appliqué tutorial
Filed Under Blanket stitch, Freezer paper on top, Photo tutorials, Threads, Wool | Leave a Comment
There’s a new photo tutorial on the Cottons n’ Wool blog about how the author, Anne, works with wool for appliqué. She takes you through it step-by-step, with lots of great photos. Thanks Anne!
Until next time,
Kay
Quilt Puppy Publications & Designs
Sep
15
Ricky Tims’ extra-wide freezer paper
Filed Under Borders, Designers, Freezer paper on the back, Freezer paper on top, Product demo | 6 Comments
Being the ever-curious appliquér, I picked up a package of Ricky’s version of freezer paper.
Here’s what the package says:
Here’s what it looks like when you take it out of the package. This is only a portion of it.
I cut out a hunk of the regular supermarket freezer paper and a piece of Ricky’s. Ricky’s does feel softer, thinner, and more flexible. I hope you can see a difference in this photo.
Personally I end up chopping my freezer paper into little pieces for the type of appliqué that I do, but I can see where this product would come in mighty handy if you’ve been taping together sections of freezer paper to use with large patterns in other techniques. For instance, what comes to mind is designing and marking swag borders, where you use a piece of freezer paper that’s the same dimensions as your border, then fold it into sections for the swags.
I went ahead and tested it out for the freezer-paper-on-top type of appliqué that I know.
Note the cardboard underneath. The firm surface helps create a better bond when ironing the template onto the fabric.
I’m a baster… can’t abide pins when I’m trying to stitch.
Works great!
It strikes me as amusing that Ricky would need to call this product by a name that’s not what it’s intended for (wrapping meat for the freezer) so that it will be familiar for quilters!
C’mon gang, chime in. What use would you make out of extra-wide freezer paper?
Kay
Quilt Puppy Publications & Designs
Jun
22
Glue stick turned edge hand appliqué
Filed Under Designers, Freezer paper on top, Glue stick, Hand appliqué, Patterns, Photo tutorials, Prepared edge | 10 Comments
As promised, today I’m learning a method of hand appliqué preparation that’s new to me. Holly Mabutas of Eat Cake Graphics gave me her pattern insert with instructions for what she calls “glue stick turned edge appliqué” and I’m trying it out! What intrigues me about this method is that the margin of the fabric is glued back on itself. I’ve tried the other kind of glue-stick appliqué, where the margin is turned and glued over freezer paper, then after stitching you soak the block, slit the back, and get the freezer paper out. That method never ’stuck’ with me, no pun intended. Now I’m going to try it this way, where the freezer paper is on the front of the fabric.
The first thing I did was to go out and get a brand-new glue stick. I happened to know that the ones I had were a mite dried out — moral of the story, don’t buy them too far in advance, or try keeping them in the fridge as a friend of mine told me.
As it happens, we’re having a heat wave in Santa Cruz. There are just a few days a year when we roast… yesterday it was 102º and I was sweating just sitting upstairs in my studio. So today I gathered up everything that I needed and put up my handy-dandy little table from Costco downstairs in the living room to work in cooler conditions.
Freezer-paper templates traced and cut out.
I used the bunny block from my Spin in the Garden pattern.
I had to run upstairs to iron the templates onto the right sides of the fabrics. I used a piece of cardboard underneath, which helps create a better bond.
The next step is to trim the motifs, leaving a scant ¼” turn-under margin. Here are the pieces, trimmed and clipped. There’s a dashed line on areas that are going to be overlapped by another piece.
Gluing the margin back onto itself on the wrong side. Holly says to use an awl… I didn’t have one so I used a stylus with a tiny, sharp tip. The moist sponge is for cleaning off the glue stick when it gets thready. I’m working on top of an plastic sheet protector.
Here are all the pieces glued and with templates removed.
I wasn’t a whiz at the previously unused fine motor skills required to turn the margin with the implement, but I’m thinking I can smooth things out as I stitch. And, as Holly says, “Don’t be too hard on yourself if things aren’t perfect the first time or even the second. With a little patience and practice you’ll do just fine. ”
Again using the sheet protector, I’m positioning the pieces to join them together into units. No background fabric involved at this point! Holly advises using little dots of Roxanne’s basting glue for this step. I didn’t have any so I hauled out some really ancient stuff called Border Patrol. Turns out this was a misstep on my part, and I’ll tell you why later. Anyway, I used it on the edges of the tail and ears that were going under the body piece, and glued the bunny together.
Here’s a whole bunny, separate unto itself, edges turned and ready to hop onto different background fabrics until it finds its favorite one.
Here I’ve positioned all of the elements on the background fabric and have used the liquid glue to secure them in place. Still hoping I can work out those pokies.
All stitched… and it worked! I was able to manipulate out the little bumps. For the more serious ones, I dipped a cotton swab in water and soaked the edge of the motif. The glue released immediately and I was then able to smooth out the curve with my needle.
Okay so here’s why the liquid basting glue I used was not a good choice. Turns out, unlike Roxanne’s, it’s a permanent glue, and I used it in some injudicious places. See the little spot on the bunny’s paw? It’s confusing, but when you look at glue labels, you want it to say “water soluble” or “washes out.” “Washable” means it doesn’t wash out!
Anyway, aside from that little “learning experience,” I’d say this is the best method of turned-edge glue stick appliqué I’ve tried. For one thing, you don’t need a reversed pattern… what you see is what you get. Plus, you don’t have any freezer paper to remove once you’ve finished stitching. Holly appliqués these by hand, and so did I. If the templates were on the inside you’d have a crinkly, crunchy time of it, but here, where they’re gone already, it was a pleasant stitching experience. And a big thundercloud came along and cooled things down considerably.
Thanks a million, Holly, for sharing your preferred method with me, and allowing me to show it other appliqué fans. If you like an edge that’s already turned before you start stitching, this might become your favorite too! Get one of Holly’s adorable patterns and try it out for yourself.
See A Spin in the Garden over at Quilt Puppy.
Until next time,
Kay
Quilt Puppy Publications & Designs
Apr
9
Clipping
Filed Under Freezer paper on the back, Freezer paper on top, Hand appliqué, Needleturn, Turned edge | Leave a Comment
To clip or not to clip, that is today’s question.
Quilting professionals have differing opinions on how to handle clipping. Here’s my personal best advice on the subject.
NOTCHES
V’s, valleys, inside points, crannies… they go by a lot of names. Whatever you call ‘em, some teachers advocate clipping all the way to the bottom. I clip almost to the bottom. The way I stitch notches, by taking a slightly bigger bite with the needle, then snugging the stitch down, it works out better to have a couple threads to grab.
CURVES
Inside curves: Again the divide… to the line, or almost to the line. I’m a fan of a series of shallow clips on inside curves. If you’re using a small 3/16″ turn-under margin, you shouldn’t have to clip deeply to get the fabric to turn under nicely.
Outside curves: No, I say, no clip! Again, the scant margin allows the fabric to go under without wrinkling up on itself, causing “the pokies.” If you clip this outer curve, the fabric has a tendency to go loosey-goosey.
In either case, notches or curves, a full 1/4″ turn-under margin may cause you to have to clip where you don’t really need to. Go for the scanter margin. This small margin makes some quilter nervous, but fine work is achieved through this closer trim.
This information applies to hand appliqué. The machine appliqué method that uses freezer paper and glue is not among my skill set, so I’m not sure about best clipping protocols there. And of course, for raw-edge machine appliqué, there’s no clipping ever!
Until next time,
Kay
Quilt Puppy Publications & Designs
Feb
15
Flowers received
Filed Under Freezer paper on top, Hand appliqué, Holiday, Needleturn | Leave a Comment
… just barely. The DH had a hectic day and got to the flower shop 20 minutes after its official closing time. But there was still a trail of men going out the door with bouquets, so though they were sweeping the floors, Dana was able to pick up the beautiful flower arrangement he had ordered. His record stands.
“Seedlings” — for next year!
Until next time,
Kay
Quilt Puppy Publications & Designs
Feb
14
It’s a happy day for hearts
Filed Under Books, Embellishment, Freezer paper on top, Hand appliqué, Holiday, Needleturn | Leave a Comment
Happy Valentine’s Day! The chocolate has been bestowed, and now I’m anticipating the bouquet. This has been a tradition throughout our 18 years of marriage, chocolate for him, flowers for her, and he hasn’t missed one yet. So although there aren’t any flowers yet, the day is young .
Here’s another of my favorite blocks from Growing Heart to Appliqué.
I call it “Fly Away.”
Freezer paper on top, hand appliquéd, hand-embroidered stems.
Until next time,
Kay
Quilt Puppy Publications & Designs
Feb
11
Heart seeds
Filed Under Embellishment, Freezer paper on top, Hand appliqué, Holiday, Needleturn, Turned edge, Words | Leave a Comment
Here’s another block from Growing Hearts to Appliqué. A fun one, yes?
When brainstorming on a theme,”growing hearts” or whatever, it’s so wonderful to let your imagination roam free and think up all sorts of notions about how to portray your ideas.
For this crazy design, I used freezer-paper templates on top, and I hand-embroidered the letters. The little black heart seeds are inked on with a permanent fabric marker.
And don’t faint, but maybe you can see that this quilt is hand-quilted. It still happens now and again.
Until next time,
Kay
Quilt Puppy Publications & Designs
Feb
6
One of my favorite hearts
Filed Under Books, Freezer paper on top, Hand appliqué, Holiday, Needleturn | 2 Comments
Valentine’s Day is coming up. I’ve already got the heart-shaped box of chocolates for the DH stashed away. Like many quilters, hearts are a favorite motif of mine. I love them so much that I published a whole collection of heart designs, Growing Hearts to Appliqué. Here’s one of my favorite blocks, which I call “Cutwork.”
To make this, I used freezer-paper templates on top. In this method, you trace the shapes onto the paper side of the freezer paper, cut them out on the drawn line, then iron the templates to the right side of the fabrics. Cut out the shapes, adding a 3/16″margin all the way around. Then you can baste them in place using a tracing-paper overlay as a placement guide, either leaving the templates on as stitching guides or taking them off for good old-fashioned needleturn. There’s been a lot of appliqué under the bridge since I made this, but I think I probably left the templates on for the straighter parts and removed them to work on the intricate parts.
I’ll put up some more of my growing hearts blocks as the month goes along.
Until next time,
Kay
Quilt Puppy Publications & Designs
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