Now and then, some books fall off the back of the truck or there’s a minor flaw right out of the box from the printer. There might be a crunched corner, a few scuffs, or a spot of printer’s ink on the cover. Otherwise these copies are intact and completely useful.

It’s time for these darlings to go to good homes. I’m offering Scratch & Dent copies of select titles for the bargain price of $7 dollars each, shipping included! That represents a savings of up to 65%. Such a deal.

For more information about these titles, please visit my website
By Kay Mackenzie. But don’t use the buttons on the website unless you want regular copies… come back here to the blog to order your special
Scratch & Dent copies.

PayPal Logo

Title


Cheers,
Kay
By Kay Mackenzie

I’ve admired the Jillily booth many times at shows. Jill Finley has been designing quilt patterns for over 15 years and is known for her fresh style and beautiful color combinations.

This month, with many thanks to Martingale, we have Jill’s book Home Sweet Quilt.

Need a gift or something for yourself? The book includes a dozen patterns for the whole house, from table runners to dish towels to pillows to quilts of all sizes. They’re all so fresh and pretty! Jill says in the introduction, “… My goal was to create and share fresh quilt designs… They’re much more than blankets or bed coverings. They’re the pop of color, the unexpected texture, or the softening element of each room.”

Winding Down, great for the family room.

Patio Tiles, wool and cotton table runner

The book begins with a few basics, such as working with wool, attaching borders and bindings, and Jill’s favorite stitching supplies. There’s a whole chapter on “Appliqué the Jillily Way,” which involves starching the edges of the motifs over freezer-paper templates. You can stitch them in place either by hand or by machine.

Berry Patch, a cheerful table topper.

If you’d like to win this very appealing book, please leave a comment here on the blog post before 7:00 p.m. California time on Thursday, June 5. Open to U.S. mailing addresses only. Good luck!!

Until next time,
Kay
By Kay Mackenzie

Courtesy of AQS Publishing, we have an exquisite book this month by award-winning art-to-wear and quilter Rami Kim.


Elegant Cotton • Wool • Silk Quilts is an exciting departure from the books I usually have the privilege of featuring. Quoting from the preface, “The designs here put special emphasis on the ancient cultures of Korea. …This book will serve as an introduction to and a window into ‘The Land of Morning Calm.’ …Though many of the designs are actually more than a few thousand years old, this will be the first glimpse through the eyes of the Western viewer.”

It was exciting to turn the pages of this book and discover shapes and designs I’d never seen before.

How about these Asian interpretations of flowers, leaves, clouds, and mountains done up penny-rug style… gorgeous!

I was captivated by the section on Chopkey — a Korean folding technique. Rami give step-by-step instructions for making a traditional costume coat.

As the titles implies, there are projects done in cotton, wool, and silk, and you can certainly use any of these materials for the design of your choice.

The books jumps right into the projects, so basic skills in hand blanket-stitch embroidery will be needed. Also, the designs need to be enlarged 200%.

If you’d like a chance to win this book that translates Korean architectural elements into American quilts, please leave a comment here on the blog by 7:00 p.m. California time on Friday, May 9.

Open to U.S. mailing addresses only, and remember… don’t try to enter by email. If you’re reading this in an email, you’ll need to click over to the blog itself on the internet.

Best of luck!!
Kay
By Kay Mackenzie

Cathy Perlmutter is my special friend that I visit with whenever I’m in her area for a quilt show. She writes the fabulous blog Gefiltequilt about her wondrously creative projects. When I took a look at this month’s featured book, I knew that it was right up Cathy’s alley. Yay, she agreed to write a guest post!!

Take it away, Cathy!

How lucky am I that Kay Mackenzie loaned me a copy of Cheryl Lynch’s new book, Sew Embellished! Artistic Little Quilts, Personalized with Easy Techniques, published by Martingale in 2012.


This book is a delight, and packed with useful information. For everyone who would like to start embellishing, or be inspired by new ideas, this book is a must-have.


The book starts out as an embellishment encyclopedia. Cheryl shows how to attach a wide variety of beads, buttons, and miscellaneous hardware – anything, as she says, that has a hole in it. She shows how she uses trims as whimsical border treatments. There’s an explanation of how to make custom buttons and beads from polymer clay. She takes us through a wide variety of threads and yarns, and graphs the main embroidery stitches that quilters need.

Cheryl also offers a variety of ways to add words–whether applique, computer printing, embroidery, polymer clay plates, and more. She has a lot of really interesting binding and edging techniques, including folded shapes.

All that alone would be worth the price of admission, but we’re not even halfway through the book yet! Cheryl’s projects, which involve both piecing and applique, celebrate family, pets, nature and love. She turns unfinished blocks into works of art. My favorite are her brooches with shrink-plastic photos stitched on; a stunning appliqued “tranquility tree”, and her accordion-fold heart & home standing book.


I absolutely recommend this book to anyone who is interested in learning embellishment techniques or acquiring more; and who would like a reference and inspiration for personalized and unique art quilt gifts. I am buying myself a copy. It is a keeper that I will refer to again and again!

Kay here… thank you Cathy! Cathy has to get her own copy because we’re giving this one away! If you’d like to enter the drawing, please leave a comment before 7:00 p.m. California time on Monday, April 7.

It is with a sorrowful sigh that I must say that these drawings are now open to U.S. mailing addresses only. I found out with a shock that one of the changes in our recent USPS postal rate increase is that the cost to Canada has more than tripled. Apologies to my quilting neighbors to the north. :( .

Many thanks for reading All About Appliqué,
Kay and Cathy

I’ve got a lot of fun stuff to mention today!

First off, Martingale is commemorating Worldwide Quilting Day, March 15, with several suggestions for things to do. One of them is, “Start a spark—make just one block!” To support this notion they’ve got some of their favorite block eBooks on sale. And my Easy Appliqué Blocks is one of them!

Go see the Martingale blog post!

Golly, it’s good to see those EAB blocks again.

I might just have to cook up something myself this Saturday to celebrate what is both Worldwide Quilting Day and National Quilting Day. Got my thinking cap on…

While I’m thinking, you have got to go and see what the phenomenal Darcy Ashton is working on now.

The gorgeous Miss Mermaid.

My next show is the Glendale Quilt Guild, March 21-22, newly held at the Pasadena Convention Center. After many years in Burbank, they’re moving to this new venue where the entire show can be in one giant happy room. Can’t wait, especially since I’ll get to see my special pal Cathy, she of GefiilteQuilt. Note that this is a Friday-Saturday show.


Got a lot to do to get ready! I’m also working on yet another new pattern. Stay tuned!

Until Saturday,
Kay
By Kay Mackenzie

Commenter No. 16, Karen Pastoor, came up the winner of The Quilter’s Appliqué Workshop. Congratulations Karen! I know you will enjoy this fabulous new book.

And don’t forget that Kevin Kosbab is holding a blog tour later this week to celebrate the book’s release! It’ll go February 20-28 over at Kevin’s blog, Feed Dog Designs.

In other news, I’m gearing up for my own guild’s quilt show this weekend! We’re the Pajaro Valley Quilt Association, with members from Santa Cruz County and beyond.

The show is held at the County Fairgrounds in Watsonville. It’s a great location, we have all three buildings and there are lots of fun features and activities during the show. I’ll be in the Harvest Building this year, the same building where lunch is served and the quilt auction and fashion show are held. Hope to see you there this weekend! Saturday, February 22, 10-5, and Sunday, February 23, 10-4.

I mentioned that I was working on a new pattern. Here it is, Sunday Dress.


Originally I called it “Easter Dress,” but after thinking about it some more, I changed it to Sunday Dress so that it wouldn’t seem so seasonal. Those of you who got it at the Folsom show (thank you), I guess you could say you have a collector’s item! :)

Back on the 1st with another great appliqué book! See you then!

Until next time,
Kay
By Kay Mackenzie

I’m subscribed to the appliqué book feed on Amazon, and as soon as I saw the announcement of a new book that was coming out, I was intrigued and followed the link right away.

The Quilter’s Appliqué Workshop by Kevin Kosbab, from Interweave/F+W Media.

I pulled up the “Look Inside” on Amazon, started reading the section on “Give Appliqué a Chance,”, and honestly, I got chills. Kevin and I could have one brain on the subject of appliqué hesitation. As you know I had just been working on The Appliqué Self-Help Brochure!

I contacted Interweave to see if they would be willing to send a review copy. Not only were they quite gracious about doing so, they set up an interview with Kevin! I’m so happy to share our email conversation, a little later in the post.

The Quilter’s Appliqué Workshop combines traditional methods with a fresh design eye. Kevin gently introduces and thoroughly explains several methods of hand and machine appliqué, including raw-edge, prepared-edge, and needle-turn, all presented with striking projects that fall toward the modern aesthetic. The old and the new… what a great combo platter!

Cobblestones Quilt

Here’s what Kevin and I talked about.

• Kay: I love the front matter in your book… “Give Appliqué a Chance.” You and I both have heard what you aptly call “the old chestnuts,” such as “I don’t have the patience.” Me, in my booth at shows… how about you?

• Kevin: There’s a healthy die-hard appliqué contingent at my local quilt guild, but other members are more hesitant to approach the “A-word”. Just attending quilt shows gives ample opportunity to overhear similar sentiments as people browse the vendors and displays. The most puzzling thing I’ve heard is, “I don’t appliqué, but I do fusible”–which, as you point out in your flier, IS appliqué!

• Kay: You and I think alike when it comes to appliqué method. There are so many ways to go about it, and there’s no one correct way! I really like how you present this concept, both in the section called “Choosing a Method” and as each is introduced. Most books just announce the method, and plow right into it! You start out by asking “Why?” and then delivering an explanation of why one might choose that particular method. Is that the way your mind works?

• Kevin: Definitely! High school calculus baffled me because nobody would (or could) explain the “why” of the processes, so I wanted to lay out actual reasons why one appliqué method might be beneficial in certain circumstances. Projects in the book like Eccentric Concentrics and the All Seasons Pillows take advantage of the freeform nature of needle-turn, while the crisp shapes of the Pineapple Rings and Counterbalance quilts make more sense as prepared-edge projects. And to define edges with decorative stitching or contrasting thread, you can’t beat raw-edge fusible appliqué. I really believe there’s no one-size-fits-all method, and each offers unique opportunities and challenges.

Counterbalance Quilt

• Kay: The subtitle of the book is “Timeless Techniques for Modern Designs.” Its seems to act as a bridge between what’s time-honored and what’s coming up new and fresh in quilting today. Was that your thinking going into the project?

• Kevin: It was definitely one of the thoughts floating around in my head–in a wider sense, that’s how I like to approach quilting and needlework in general, learning from the experience of people before me while applying those skills to a newer aesthetic. I love digging through old needlework books and figuring out how to extract the basic techniques from the often dated examples.

• Kay: The book gives information on very precise ways to achieve results, and also more freeform strategies. I appreciate the way you encourage imprecision and improvisation in appliqué.

• Kevin: I’m so glad to hear that. I think concentration on precision is one of the biggest barriers to enjoyment of appliqué, so I wanted to counter that with a different perspective. There’s been lots of interest in improvisational piecing over the last several years, and it felt to me that improvisation was an even more natural component of appliqué, even though it’s not an aspect I often see associated with appliqué (or encouraged). Historical quilts are rarely absolutely precise, but they have a vitality that’s lost when we try too hard to emulate computer-aided perfection. Improvisation shouldn’t be about shoddy craftsmanship, but about embracing the handmade nature of the things we are taking the time to make by hand.

All Seasons Pillows

• Kay: The sidebar on “Quilt Police, Appliqué Division” had me cracking up! I’ll just quote the first couple of sentences. “Every branch of quilting has its share of self-appointed authoritarians on a mission to ensure compliance with their version of The Right Way To Do Things. Appliqué seems to attract an especially large police force, but as in real law enforcement, their statutes vary by jurisdiction.” Well said!

• Kevin: Thanks, I had fun writing it! Writing pages and pages of detailed technical instructions can provoke occasional outbursts like that. ;-) And besides, who said quilting had to be all serious business?

• Kay: You talk about how when you first became interested in appliqué, there were calls to mom. Can you describe how those calls went?

• Kevin: Well, to start with, my mom was quite surprised that I was considering quilting, since I’d been insistent she not make me a quilt when I went away to college (“Mo-om, it’ll be embarrassing!”). But she offered to quilt my first (pieced) quilt top, and quite fortuitously left the binding for me to do. I told her I found hand-sewing the binding strangely enjoyable, to which she said, “You know, if you like sewing the binding, you’d probably like appliqué.”

She’s an expert appliquér, so since she was my main point of quilting contact then, she didn’t instill any of the fear many quilters feel about appliqué. She encouraged me to try a freezer paper and starch-turned method to start with and gave me a basic run-down of how it worked, and I set off to do a large-scale appliqué across the better part of a full-size bed quilt–not how I’d recommend starting, but it got me hooked. After I’d done a couple quilts that way, I lamented to my mom how the starching and ironing started to feel tedious, a feeling she shared (neither of us get our kicks from ironing laundry), so she promised to show me needle-turn applique the next time we got together in person.

Fruit Market Quilt

The rest of my family couldn’t believe the sight of the two of us messing about with fabric and needles, but since then my younger brother’s also become a costume designer, so my father and other brother (both engineers) really wonder what happened.

My mom also gave lots of advice on tools and supplies, though what I had available at the time was pretty much limited to what was available on foot in downtown Philadelphia (which meant hand-quilting thread for appliqué–again, not what I’d recommend for a beginner!). We still compare notes on new supplies, techniques, and ideas. Though our quilts look totally different, our attitudes about quilting are pretty close, so she’s been very generous in helping me out with pattern samples. Call me a mamma’s boy if you must, but we do live thousands miles apart!

• Kay: The book has full-size patterns in a plastic bag attached to the inside back cover! Excellent! Was that your concept?

• Kevin: The publisher decided the ultimate format, but I felt strongly that the patterns should be printed full size. It’s so frustrating when a book requires patterns to be enlarged–it always seems to take a huge amount of trial and error to get the photocopies to come out right. If people have bought the book, they shouldn’t have to pay a copy shop too.

That said, I did have to work out an enlargement percentage for the Eccentric Concentrics Quilt in the book because the pattern is the size of the entire quilt, but I hope people will prefer to sketch out their own interpretation.

• Kay: How did you and Interweave get together?

• Kevin: I’ve been designing sewing projects for Stitch, one of Interweave’s magazines, since their second issue, so that’s how their books division found me. The acquisitions editor asked if I’d thought about writing a book, to which I replied, “As a matter of fact, yes!” I’d worked as a book editor myself, so a quilting book had been knocking around in my head for a while.

• Kay: When, why, and how did you become interested in quilting and appliqué? Do you teach classes? How do we pronounce your last name?

• Kevin: Still with neither of us thinking I’d get into quilting, my mom bought me my first sewing machine when I started talking about making curtains for my first apartment. That apartment never had its curtains finished, though, because I soon got distracted with quilting: I made a really simple quilt for my bed from Denyse Schmidt‘s first book, then another bed quilt from Weeks Ringle and Bill Kerr‘s book shortly after, and then I started designing my own patterns. I actually picked up appliqué shortly after those first two quilts, encouraged by my enjoyment of binding. I’d never planned to get into quilting, but it gave a medium to my lifelong interest in graphic design–appliqué was the last piece of the puzzle, opening up infinite possibilities in designing quilts.

I do teach classes, including some new ones based on the improvisational approaches in my book. Confirmed teaching engagements are posted on my website on the Class Schedule page.

My last name has been mispronounced in lots of ways over the years, but per the U.S. Air Force it’s KOZ-bab, just like it’s spelled but with a Z sound instead of an S. It previously had a more Germanic pronunciation, but my grandfather decided his name was whatever his superiors called him, so that’s what we’ve been running with since.

Thanks for your kind words and thoughtful questions. It’s hugely rewarding to hear that someone “gets it” after all the work of putting the book together.

• Kay: I get it! Been going there and doing that! You did a great job.

Kevin Kosbab, photo by John Lessard

Kevin on Facebook.

Kevin’s putting together a blog tour to celebrate the upcoming release of his book! It’ll be going on February 20-28 over on Kevin’s blog, Feed Dog Designs. Be sure to mark your calendars!

In the meantime, I have a copy of The Quilter’s Appliqué Workshop to give away here! If you’d like to enter my drawing, leave a comment here on the blog before 7:00 p.m. on Monday, February 17.

Open to U.S. and Canada mailing addresses only. And remember, step away from the “reply” button if you’re getting this by email. Come to the blog itself to leave your comment.

Thanks Kevin for taking the time to share some inside info with us!

Until next time,
Kay
By Kay Mackenzie

A very happy New Year to you all!

Susan Taylor Propst is the author of a series of wonderful books on floral appliqué. Here on the blog, we previously featured her titles Beautiful Blooms and Another Season of Beautiful Blooms.

For this month, courtesy of Martingale, we have Susan’s third book, Nature’s Beauty in Appliqué.


Subtitled “Pretty and Practical Projects,” this book gives instructions for a variety of different things you can appliqué and sew, from table runners to place mats to tote bags to zippered cases.

Campanula Neck Roll

Tulip Place Mats


Petunia Case

Also blooming in the designs are irises, daffodils, dahlias, and ivy. Add in Susan’s instructions for her methods of needleturn hand appliqué, prepared-edge hand appliqué, and fusible appliqué, and this is one fantastic resource!

If you’d like to enter the drawing for Nature’s Beauty in Appliqué, please leave a comment below by 7:00 p.m. California time on Saturday, January 5.

Open to U.S. and Canada mailing addresses only. Heads up! If you get this in an email, do not reply… it will not enter you in the drawing. Leave your comment on the blog, on the internet. To get there, click on the title of the post in your email feed.

See you Saturday!
Kay
By Kay Mackenzie

Greetings fellow appliqué enthusiasts! I have one of those birthdays that’s close to Christmas. When I was a kid it meant “combination” presents, which to someone of a tender age can be very thick. (I’ve gotten over that now.) (Pretty much.)

To help celebrate the day, I’m putting up a copy of one of my most popular books, Teapots 2 to Appliqué.


It’s in its fourth printing and still going strong. Quilters love teapots!

The book has designs for 16 different teapots, plus cups and saucers and milk and sugar, and instructions for back-basting hand appliqué. (Of course you can use whatever method you like.)

To enter the drawing, please leave a comment here on the blog by 7:00 p.m. California time on Sunday Saturday, December 21. Hey, one copy doesn’t seem enough. How about three winners! Open to U.S. and Canada mailing addresses only. Good luck in the draw!

Happy holidays,
Kay
By Kay Mackenzie

The reader who won the set of three AQS Love to Quilt booklets is…
No. 42, Beverly S. Have fun with the blooms and veggies, Beverly!

In other news, Martingale is having a fabulous sale on eBooks, only $6 each until midnight on December 8. The selection includes my Easy Appliqué Blocks!


Hope you are enjoying yourself as the season gets into full swing.

Until next time,
Kay
By Kay Mackenzie

It’s December! For our feature this month, I have three darling booklets from the American Quilter’s Society “Love to Quilt” series. Thank you, AQS!

Wildflower Appliqué & Embroidery
by Bea Oglesby

The Quilter’s Veggie Garden
by Bea Oglesby

Appliqué Garden
by Eula Mae Long

These 30-page booklets each feature a variety of mix-and-match designs that can be stitched using your favorite method, or, follow the author’s tips. Very cool!

From Birdfoot Violets to Baskets of Clematis to Kohlrabi and Peppers, if it grows from the earth you just might find it here!

If you’d like to enter the drawing to win these three booklets, please leave a comment here on the post before 7:00 p.m. California time on Thursday, December 5.

Open to U.S. and Canada mailing addresses only (and remember that replies to an email feed do not enter the drawing).

Best of luck to you!
Kay
By Kay Mackenzie

I’m a big admirer of the designs of Barbara Jones of QuiltSoup. There’s something about her work that’s eye-appealing, soothing, comforting, fresh, and beautiful all wrapped up in one.

I’m so pleased to say that this month, courtesy of Martingale, we have Barbara’s book A Batch of Quilt Soup.

This fun book is full of pieced and appliquéd charmers. For the appliqué, Barbara personally prefers needleturn, but stresses that you may use any method you like for the designs. She gives complete information on the method she uses for hand appliqué, from template preparation to cutting out motifs to positioning to stitching. The appliqué shapes are relatively large, and full-sized template patterns are included.

As Barbara says, “These patterns are easy to finish in this lifetime!”

Summer Cottage

There are soup-to-nuts, illustrated instructions for nine “fun patchwork and easy appliqué patterns,” plus information on supplies, quiltmaking basics, and finishing.

Summer Runner

And if adorable quilt patterns weren’t enough, there are also recipes! How does “Rhubarb Upside-Down Cake” or “Amaretto Scones” sound?

Ellery's Smoothie

If you’d like to win A Batch of Quilt Soup, please leave a comment before 7:00 p.m. California time on Thursday, September 5.

Do not click “Reply” to your email feed! That will not enter you in the drawing. You have to leave the comment on the blog itself on the internet. Just clcik the title “Quilt Soup” and you’ll be whisked over to the post.

Drawing open to U.S. and Canada mailing address only.

Good luck everyone, and thanks for reading All About Appliqué!

Kay
By Kay Mackenzie

The PayPal shopping cart that I use for my website doesn’t have the capability to issue coupons (argh). BUT, I can set the shipping to zero on individual items, and that represents a good amount of savings.


So that’s what I’ve done for my book A Merry Little Christmas to Appliqué, through the month of August 2013. Free shipping on this collection of Christmas-time designs in a variety of sizes that play nicely together! My tips for hand appliqué using freezer-paper templates are included, but of course you can use your own favorite method.


Just for good measure, Growing Hearts to Appliqué is also included in the special! Free shipping as well on this collection of 16 flowering heart blocks and the sampler quilt pattern.

Adding to the bargain-ness of it all, the current web special is that any book purchase gets you a free copy of the pattern book for Home: A Heartfelt Nap Quilt. You don’t even put it in the shopping cart; it’ll just come right along when you order any other book!


Also worth mentioning is that there’s free shipping all the time on hand and machine needles.

That’s a lot of free shipping goodness!

This is an unadvertised special, just for you blog readers. You won’t see mention of it on the website. The special goes through August 31, 2013.

Happy Christmas in August!
Kay
By Kay Mackenzie

I love my job. One of the best things about it is that I get to see so many of the new appliqué books as they cross my desk on their way to you, gentle readers.

This month, courtesy of C&T Publishing, we have the beautiful Simply Successful Appliqué by Jeanne Sullivan.


When I first saw the cover, I thought there was a lot of dimensional appliqué in that basket. Upon looking closer, I see that it’s really the beautiful shading in the fabric that lends that effect of depth! Very cool.

This book is for appliquérs who prefer a prepared-edge method… that is, the edges are turned prior to the stitching process. Or, for appliquérs who would like to learn more about it!

The book starts with a long list of supplies you’ll need, then goes on to five different approaches to color planning, selecting and auditioning fabrics, and preparing the background fabric. Then comes a comprehensive section on creating the pattern components needed, from making a master pattern to preparing working patterns to making an acetate or vinyl overlay for placement to making and labeling freezer-paper templates.

Then on to Jeanne’s appliqué basics! Accurate cutting of templates is covered, as well as “window shopping” for areas of fabric for your motifs (hence that shaded effect). In the next section, “Making Preturned Appliqués,” Jeanne says, “Hands down, it’s the easiest, quickest, and all-around best way to prepare turned-edge appliqué!”

Jeanne’s method involves ironing the edges of appliqué shapes over freezer-paper templates. On areas that need to be gathered, she uses liquid sizing and heat-sets the creases with an iron.

Now you may have seen this method given before, but I doubt you’ve seen it in the photographed detail given here: exactly how to manage each and every area of an appliqué shape, as well as how to handle unusual shapes and scenarios. Using an overlay to position the pieces is covered next, along with basting the pieces in place.

Part of the Gallery section.

After viewing a gorgeous gallery of quilts made by Jeanne and her students, you’re ready to absorb the sections on hand stitching and machine stitching. Again, there’s way more actual detail of each process than the average bear!

Near the back there’s a section on specialty forms of appliqué, including (yes) dimensional flowers, skinny stems, stuffed berries, reverse appliqué, lined appliqué, needle trapunto, broderie perse, lettering, and basic embroidery stitches.

To cap it all off, there’s an included CD that has nine projects with full-size templates on it!

Just a few of the projects on the CD.

All in all, 128 pages of glorious detail on all aspects of prepared-edge appliqué! Would you like to win a copy of Simply Successful Appliqué? To enter the drawing, leave a comment here on this post before 7:00 p.m. on Friday, July 5.

Contest open to U.S. and Canada mailing addresses only. Do not reply to your email feed; click over to the blog on the internet and leave your comment at the bottom of the post.

Good luck all!

Until Friday,
Kay
By Kay Mackenzie

Last time I went to Quilt Market I made the pleasant acquaintance of one of the staff members at Landauer Publishing. Recently she emailed me to ask if I would like to share one of their brand-new books with readers of the blog.

Would I? Of course! I’m so excited to say that it’s Edyta Sitar’s Seasonal Silhouettes, hot off the presses!

Subtitled “12 Inspirational Quilt Blocks Featuring Raw-Edge Appliqué.”

Edyta used batik fabrics for their natural hues “touched by nature’s paintbrush” and tight weave. Since she does a form of raw-edge appliqué in which she stitches 1/8″ from the raw edge during the quilting process, batiks are an excellent choice. There’s a two-page spread of “color chips” so you can take the book to the fabric store with you in case you need to round out your stash of batiks.

What I really like is that the author gives an informational roundup of three different kinds of paper-backed fusible web, with the pros and cons of each, to help you make your choice for these projects. There’s also complete information on how she does her raw-edge appliqué and her quilting.

The gorgeous book is slightly oversized at 9×12. I imagine that’s so it can include… yes… full-size pull-out template pages for your convenience! On top of that, you can actually order all of the pre-made laser-cut appliqué shapes, complete with fusible web on the back, from Edyta’s website Laundry Basket Quilts.

January

June

July

Those are just three of the 12 designs… there’s one for every month, and you can stitch up as many or as few as you like.

There’s a short video about the book at the Landauer website. Just click on the “Look Inside” tab.

Thanks again to Landauer for providing a copy to give away to a lucky reader. If you’d like to enter the drawing, please leave a comment on this post before 7:00 p.m. California time on Friday, June 7.

Drawing open to U.S. and Canada mailing addresses only. Do not reply to an email feed… instead come on down to the blog itself on the internet and leave your comment there.

Good luck!!

Kay
By Kay Mackenzie

Had a great time at the Delta Quilters Guild Show over the weekend! My favorite quilt in the show was Shirley Coble and Isabel Maya’s “Pennies From Heaven.”

So beautiful. The design is from Gretchen Gibbons‘ book Pennies From Heaven.


Until next time,
Kay
By Kay Mackenzie

When Cathy says so, I pay attention. Go on over to Cathy Perlmutter’s blog GefilteQuilt to see which new book has received this hugely important title! And you’ll have a chance to win a copy!

Cheers,
Kay

Last weekend I was at the Santa Clara Valley Quilt Association’s biannual show. My booth was right up front and I was delighted to find out that I was directly across from the featured quilters, one of whom was Bobbi Finley!

I first met Bobbi, who’s friends with a number of friends of mine, in 2010 at Road to California. In the years since then she’s popped by my booth at various shows to say hello. It was great having a chance to be neighbors for the weekend.

Bobbi is co-author with Carol Gilham Jones of the wonderful book Tile Quilt Revival, previously featured here on the blog. She had beautiful samples of tile quilts hung up, as well as some quilts from her new book with Carol, Fresh Perspectives.


Subtitled “Reinventing 18 Classic Quilts from the International Quilt Study Center & Museum,” this very cool book shows fresh, new updated versions side by side with the classic quilts that inspired them.

The cover quilt.

New houses!

There were some incredible appliqué quilts in the show.

Baltimore & Bali by Charlotte Scholberg

Olive Roses by Ratnes Siva

Penny Tucker is good buddies with my buddy Pam and is a fabulous appliqué teacher. Whiffle Tree is since closed, and Penny now teaches at Prairie Queens in San Jose, California.

Summer by Kathy McComas

Brenda's Wooly Garden by Brenda Croak

Kaye Moore is a buddy of mine in quilt-show land, and does the most incredible work with wool appliqué. If you haven’t seen Kaye’s article here on the blog, you should check it out!

And then there were a couple of old-timey quilts… okay, when I read their descriptions I kind of choked up. You’ll see what I mean.

Prairie Sunflowers by Karen Friedrichs

Sunbonnet Sue by Renee Rankin

Gulp. Quilts are mighty powerful things, aren’t they?

In other news:

This weekend I’m off to San Luis Obispo for the Seven Sisters Quilt Show. If you’re in that neighborhood, I hope to see you there!

Mark your calendars for the 100 Blocks Volume 7 blog tour! It’s April 29-May 3. Start each day at the Quilmaker blog, Quilty Pleasures. From there you’ll be sent off each day to blogs written by the designers who have a block in the issue. There are lots of great creative ideas along the way, not to mention giveaways, so don’t miss the tour. My day is Tuesday, April 30.

See you then!
Kay
By Kay Mackenzie

In 1983, appliqué icon Elly Sienkiewicz published a little square 12½” book with a red cover entitled Spoken Without a Word.


The photo-less, 68-page black-and-white book, which brought Baltimore Album block patterns and an infectious theory about symbolism to the modern quilter, quickly went through five printings and arguably served as a catalyst for the Baltimore revival that is still going strong. Today, copies of the original “Red Book” can be found listed on the internet for hundreds of dollars.

Exciting news! A little bird told me that Elly is preparing a new edition of this important classic! Spoken Without a Word: A Lexicon of Symbols with 24 Faithfully Reproduced Patterns from Classic Baltimore Quilts, 30th Anniversary Commemorative Edition, is coming out this fall!


The original book’s signature red color is threaded throughout the black-and-white engraving-like details of the new edition, now revised and reformatted to 8½’ x 11″ and 128 pages. The familiar original text remains intact, and the patterns remain untouched. What’s new and additional are glorious photos of newly made blocks, settings, and wall quilts, and a new foreword and afterword from Elly.

The new edition is available for pre-order on Elly’s website, Appliqué With Elly.

Until next time,
Kay
By Kay Mackenzie

Happy April! No fooling here at All About Appliqué. :)

Last month, when we looked at
Baltimore’s County Cousins, I detected the Baltimore longing in many of the comments.

I’ve always wanted to do a Baltimore Album but frankly they do intimidate me.

I love applique but I’m not up for the more complicated patterns, yet.

I’m just now deciding that I can actually do some of this…

A Baltimore is on my bucket list…

Haven’t done a Baltimore quilt yet, but would love to.

Oh! I love baltimore album quilts but have never made one.

One of the things that has kept me from making my own Baltimore album quilt is the feeling that I need to wear formal attire!

These wistful reflections made it clear which book I needed to pull out of the cupboard next. May I present, courtesy of Martingale, Mimi Dietrich’s Baltimore Blocks for Beginners.

Subtitled “A Step-by-Step Guide,” this book is designed to to be a gentle and compelling introduction to the Baltimore genre that will get you started on your way at last!

Mimi, who lives in Baltimore, has been teaching Baltimore Album appliqué classes for over 30 years. Her most basic class is called, “My First Baltimore Block,” and this book is that class! It will take you slowly through all the techniques and elements of a basic block.

Rose wreath design.

There’s also a circle wreath and a crossed leaves design, as well as a gallery of different colorways to provide inspiration.

I love what Mimi says in the introduction: “There are many techniques, tools, and patterns for appliqué. All of these are correct, as long as you are comfortable and pleased with the results.” Yes! That’s what I believe too. Mimi presents her own favorite methods for successful beginnings.

The information covers fabrics, appliqué supplies, preparing the pattern and templates, cutting and preparing the shapes, and illustrated information on hand-appliqué stitch techniques, followed by step-by-step instructions for making your first Baltimore Album block.

Are you starting to feel like you can do it? You can!!!

If you’d like to win this book, please leave a comment here on this post before 7:00 p.m. California time on Friday, April 5.

Contest open to U.S. and Canada mailing addresses only. Do not click “reply” to your email feed. That will only send me an email and not enter you in the draw. Click over to the blog on the internet and leave your comment at the bottom of the post.

Good luck!
Until then,
Kay
By Kay Mackenzie

Next Page →

Close
E-mail It